A Quote by Sayani Gupta

Probably I look different in different get-ups, so I can pass off as an urban and rural character, hopefully with the same kind of conviction. — © Sayani Gupta
Probably I look different in different get-ups, so I can pass off as an urban and rural character, hopefully with the same kind of conviction.
I look for a role that hopefully I feel empathy with and that I can understand and love, but also that has that challenge for me to play - a different kind of role, a different type of character, a different time period.
I love the State Fair. It's an event that really brings the urban and the rural Minnesotans together. Rural people get a chance to mix with the urban folk and see what the cities have to offer, and urban people get to remember where their food comes from and who produces it for them.
You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck.
Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.
Members of the Academy are mostly urban people. We are an urban nation. We are not a rural nation. It's not easy even to get a rural story made.
You are always looking for a different kind of read and a different kind of intention when you are by yourself in the booth. Occasionally you are playing off of people, but it is a bit of a different muscle that you have to flex. At the end of the day though, it really is all just great fun and play that we are lucky enough to get paid for.
I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.
[Rural voters] have a different view of the world than people do in these urban centers.
If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.
But we're all so different, we're different ages; we're not vying for the same roles. There's no competition, there's really kind of a sisterhood, on and off the set, you know?
I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.
We are neither anti-urban nor pro-rural. We know there is a gap between urban and rural areas; we are only trying to bridge it.
I came from the stage so it was a different kind of acting, or a different arena of acting, and I just loved to do it as a kid. It's really gratifying to get to create these different characters and to get to create different voices and to get to wear different clothes.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
Well you know, I think a lot of us in marriage know that you play different roles at different times. And Mitt can get very intense, and I can have the ability to kind of talk him off the rails sometimes and say, 'Hey let's look at what is really important and let's do that now.'
I hope that when people see Asian women, they realize we are all different. A lot of time with Caucasian people, they just group us together as Asian. But even with different cities in China, people have different personalities... We look Asian, but we still look different. We don't look the same.
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