A Quote by Sayani Gupta
I never had any apprehensions while shooting for intimate scenes, we are all actors. The only apprehension would be about who are the people who are working on that particular project.
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Even for the people in the bank into which the other banks are merging, they also have a lot of apprehension. There is always an apprehension that opportunities will go down. There are apprehensions of displacement. Many of these apprehensions are unfounded.
I think when you get on with the actors that you're working with, even if you do have really intimate scenes, as long as you get on well, and have a bit of a laugh while doing it, then it's fine.
When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.
I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would be.
I had no apprehensions doing bold scenes.
The religious need of the human mind remains alive, never more so, but it demands a teaching which can be understood. Slowly an apprehension of the intimate, usable power of God is growing among us, and a growing recognition of the only worth-while application of that power-in the improvement of the world.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
My Mom and Dad did it pretty good, so I know it can work. The foremost thing I would say about working with Robin and Sean is that they were devoted to this project and devoted to their characters. You can't ask for any more from talented actors like that.
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