A Quote by Sayed Badreya

When I got to Hollywood, at first I couldn't get a lot of jobs. So I grew a beard and look like a really bad Arab, and I started to get a lot of work because that's what they want.
I know most people don't like their jobs very much and don't get a lot of personal satisfaction from their jobs. That's something that I really do get a lot of.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
I just want to play really strong characters that get to do really interesting things. But I would also love to play someone really vulnerable. When I first started my career, I tended to do a lot of things just to get the work.
I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.
There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.
A lot of times with novels, you can get a really deep, engaging story, but there's not a lot happening, frankly. Those books tend to be super-literary and dense, and they require a lot of commitment, and that's not necessarily a bad thing, but if you want fast-moving action and gore and plot and excitement, you can get shorted on that.
There are a lot of good managers out of work because there are only so many jobs out there, and if you get it wrong two jobs running, it's hard to get a third one. That's generally the rule.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
I seen her in the subway, on my way to Brooklyn. "Hello, good lookin, is this seat tooken?" On the A Train, pickin at her brain, I couldn't get her number, I couldn't get her name. I said, "I still like your style and fashion, But I hate your hot sadiddy attitude wit a passion. Is it because brothers like to hawk a lot? Is it because your sign don't talk a lot?" She turned away, no play, I said, "OK, You don't really look good, I hope you have a bad day."
The first thought that I had about really trying to get sober was, 'Man, I could do a lot of good in the world. I can lead by example and just be this heroic recovery guy.' And that's just a bad reason to get sober. You can't get sober for anybody's benefit, let alone the world at large. You really got to do it for yourself.
I get some letters from a lot of people. Sometimes it's nice, with letters from kids or from parents of kids who want to be tennis players, but I also get racist letters. It's really painful to receive something like that because you're not ready for that. You think to yourself, 'That's really bad.' But I realise that there are people like that.
By Hollywood standards I'm still fat: until you are zero, you are big. I do get cold a lot now. I used to have a lot of layers - now I got to get a fur coat.
I started to book good television jobs in 2010. I started to get really close to exceptional jobs in 2011, and then I got 'Arrow' in 2012. I know how lucky I am because just getting the lead in a pilot doesn't guarantee that that pilot is going to turn into something great.
I think to get first in your division you've got to have a lot of depth, a lot of character, a lot of skill, a lot of competitiveness.
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