A Quote by Scarface

My timing came from Funkadelic, definitely. — © Scarface
My timing came from Funkadelic, definitely.

Quote Topics

I don't know if I have actually good comedic timing. But I don't think I've worked at any timing. I think timing is probably something you can't work at. Well, I don't know. I definitely didn't work at it.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
I'd say that, to be a good deal maker, you have to have three basic characteristics - timing, timing, and timing.
I'd say that, to be a good deal maker, you have to have 3 basic characteristics - timing, timing, and timing.
The words 'bad timing' came to be ghosts haunting our every move in Birmingham. Yet people who used this argument were ignorant of the background of our planning...they did not realize that it was ridiculous to speak of timing when the clock of history showed that the Negro had already suffered one hundred years of delay.
I was not influenced by Jack Benny, and people have remarked on my timing and Jack's timing, but I don't think you can teach timing. It's something you hear in your head.
Timing is the essence of life, and definitely of comedy.
There is timing in the whole life of the warrior, in his thriving and declining, in his harmony and discord. Similarly, there is timing in the Way of the merchant, in the rise and fall of capital. All things entail rising and falling timing. You must be able to discern this.
So much in life came down to timing.
I love Parliament Funkadelic.
Looking back, Google's success came from the fortuitous timing of being born at the cusp of the broadband age. But it also came about because of the new reality of the Internet: a lot of services were going to be algorithmic, and owning your own infrastructure would be a key advantage.
Acting is all about timing. I mean, who has better timing than the MCs?
Good timing is invisible. Bad timing sticks out a mile.
There is timing in everything. Timing in strategy cannot be mastered without a great deal of practice.
There are some people who were born with good timing, and I think my comic timing is pretty solid.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
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