A Quote by Scarlett Johansson

I like taking parts where I'm like: "I don't know how I'm going to do this exactly but I know I can do it." As opposed to doing something where you go: "There's nothing that I can contribute to this."
When you go to a movie with so many stars [like The Expendables 3], you don't know what you're going to find, exactly. You don't know if it's going to be an ego trip, ego on the set, who is taking this position, where the camera is, I want to be in front of this guy - that's true... It's worse, actually, when you have people around you that are very hungry to obtain something that they never had. Success.
I don't know how far, I don't know where I'm going to be or where I'm going to go, but I know this - if a team comes to grab me, I know they're going to get a special player, and I'm ready to show them what I can do and make sure I can contribute.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.
We know exactly where the path to despair and insanity lies. It's in that sense that life is meaningless, there's nothing about today that's worth doing because it's just like yesterday and it's going to be just like tomorrow.
Vogue Magazine does something really interesting here: They make it look like I know exactly what I'm doing. Because Vogue made it look like I knew exactly what I'm doing, stores from all over started calling.
I do a lot of things intuitively. I'm not often consciously aware of what I'm doing. It's like in a dream: There's something going on that's powerful but you don't know exactly why.
The first thing I say when someone says they want to be an actor is, 'Go get 'Backstage.' You know what's going on, you know who's doing what, and there's work that you can find in there. It's an incredible resource, and there's nothing else like it.
I know what it's like to start a business. I know how extra ordinarily difficult it is to build something from nothing. I know how government kills jobs and, yes, I know how it can help from time- to-time.
I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.
Anything that we know how we do, machines will do better. Now, the key element of this phrase is, "We know how we do it." Because we do many things without knowing exactly how we do them. So this is the area where machines are vulnerable, because it still has to learn from some kind of experience. It needs something - at least the rules of the game. You have to bring in something that will help the machine to start learning. It's like square one. If there's nothing there, if you can't explain it, that's a problem.
Ideally, writing ought to be like riding a bicycle: something you know how to do without having to think consciously about exactly what it is that you are doing.
What I've always found about going to a tailor is that it's a little bit daunting. You don't know exactly what it's going to look like, it's hard to know who to go to, and it's still a very expensive proposition.
Growing up, my mom was very strict about how I dressed and how I behaved, and I said to myself that I wasn't going to be like that. But now I know I'm going to be exactly like my mom. I'm going to be worse!
I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.
When I'm writing with Tony Iommi, for example, still it's very easy. We go in, and I know exactly what his style is. It's very distinctive, and you know exactly what he's looking for, and we know exactly where we're going from the first chord.
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