A Quote by Scarlett Moffatt
Everyone thinks that hieroglyphics are really old but if you think about how the world's going now, I think they are just emojis.
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You know, I think when I was young, I was just always worried about how I was going to fit in, what I needed to do to be better. I think now, as you get older, you kind of think more as a team concept of, 'How do I get everyone on the same page?'
I was really strict about my daughter sleeping in her own room, and now she's really independent and likes it that way. So I think for all new moms, I can totally see how you can get wrapped up in making your child 100% your time. But if you could just take 5% or 10% for yourself a day, it won't just make the difference in your confidence, but also your sanity. I think once you just set boundaries and how you're going to parent - everyone parents differently so I hate to be that person to tell them how anyone should parent, I think whatever works for you works.
I feel like guys don't think it's cool to use emojis. I'm like, that's so whack. Emojis help so much. They really do give context to something.
I think everyone's dream is to be an actress, but I never really thought it was going to happen. Now that it's happening, it's incredible. I do a lot of other things, too. I'm not stuck in this little world. I'm aware that we're in the middle of an economic crisis in the U.S. There's a lot going on in the world, and I'm really happy and excited about what I have and I don't take it for granted. I'm pretty lucky.
I think the sign of complacency in the stock market is when people don't worry. At the moment, everyone worries about everything. They worry about geopolitical risk, about political risk, they worry that the markets are too high. The time to really worry is when everyone thinks that markets are going up and everything is going really well.
I think people are turning inward more now cause the world's got in such a weird, crazy state. I think its making people think more about their life and what it is really that they are doing. And how do we interact with a world that's going crazy? It's a very important time.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
I don't really think about or pay any mind to what everyone thinks about my fighting style or if they watch me fight; I just concentrate on myself.
It's a long, hard road and it's going to have its bumps; there are going to be times when you fall and times when you don't feel like going on anymore, times when you're just crazy tired but it takes focusing on that one step you're taking. That's what I'm trying to do with the marathon; I don't think about the miles that are coming down the road, I don't think about the mile I'm on right now, I don't think about the miles I've already covered. I think about what I'm doing right now, just being lost in the moment.
When I'm on set, I don't really think about what an audience is going to think about a scene. I'm just thinking about how I can make it best. And how I can enjoy myself most.
'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
I think because bullying has really become such a problem right now, I think it's maybe going to be more impactful right now, just because of where that is in society and how much more we're hearing about it.
I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.
I always think about what it means to wear eyeglasses. When you get used to glasses you don't know how far you could really see. I think about all the people before eyeglasses were invented. It must have been weird because everyone was seeing in different ways according to how bad their eyes were. Now, eyeglasses standardize everyone's vision to 20-20. That's an example of everyone becoming more alike. Everyone could be seeing at different levels if it weren't for glasses.
I don't really know what the average person thinks about animation. I think the average person thinks that it's made by cartoonists - and it used to be. When people think of The Simpsons, they think of Matt Groening. They don't think of whoever the 200 writers are.
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