A Quote by Scarlett Moffatt

I sort of have imposter syndrome, and I think when is this all going to end, when are they going to realise that I'm not a proper TV presenter. — © Scarlett Moffatt
I sort of have imposter syndrome, and I think when is this all going to end, when are they going to realise that I'm not a proper TV presenter.
I suffer from imposter syndrome all the time. Even if I'm just at a party, I'm thinking people are going to find out that I'm really boring.
For a long time, I thought, 'I'm not a TV presenter,' but now I realise there's no typical route into this business.
I have that imposter syndrome.
I think it's terribly important to watch TV. I think there's a sort of minimum number of hours of TV a day you ought to watch, and unless you watch three or four hours of TV a day, you're just closing your eyes to some of the most important sort of stream of consciousness that's going on!
'Imposter Syndrome' is the feeling of wearing a mask and playing a role that one does not feel at home in. It is when you feel like you or your work is a fluke and that you're a dwarf amongst giants. Many of us have this, especially when we're in some sort of creative industry.
How long have we got to talk about women of colour and imposter syndrome. It's a real thing, and many people have it. It's, I think, a particular characteristic of the overachiever. Because you're bottomless, you never think what you've achieved is enough.
I had a couple of moments struggling with imposter syndrome throughout my career as a player.
I'm rapping, I'm hooping, I'm on a max-contract, I got a big shoe deal. Everything is good now. So of course, the support is going to be there, the love is going to be there, but what's going to happen when it changes or when I'm on the back-end of my career or when I ain't on TV all the time?
I'm sort of obsessed with the news. That is a syndrome. But I don't watch a whole lot of TV.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
If I'm honest, I thought Westlife would keep going for longer than it did - we all did - but it sort of came to a natural end. When we decided we were going to split, I thought, 'If I'm going to sing, I'm going to have to do it solo.' Also, financially I was broke, so the decision was ultimately made for me.
Also the wonderful thing about film, you can see light at the end of the tunnel. You did realise that it is going to come to an end at some stage.
There's a thing I think children realise at a certain age, which is that if their parents say, 'Don't do it', and they go ahead and do it, they're still not going to die. And I think that's what it is: that no matter what you do, you're not going to die.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
Being on TV brings a sort of attention in high school that can be negative sometimes. People, immediately they're going to have that in their back pocket. If they don't like you, they're going to be able to pull that out and throw it in your face.
In The Deep End, you have a woman who looks like a J. Crew mother who can manage it all. Then we begin to realize what's going on inside. Every time I see one of those women stuck at a stoplight with the children in the back of her car, I sort of think, "What have you just done? What's going on in your life?".
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