A Quote by Schoolboy Q
I think, sometimes, artists release music too fast. If you just sit back and listen to the track for a little bit you could pick and choose how you want to do it and see if you really feel the song, because sometimes you might not even like the song after a few listens.
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There is a little bit of a head vs. heart kind of battle that happens sometimes with the song. There's the goose bump thing, where the melody or whatever it is just gets you and you don't know why. Sometimes, it's in a genre that you didn't think you liked and, all of a sudden, the song hits you and you just say, wow, I feel the hairs on the back of my neck. I love this song.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
I like making all kinds of music, it really depends on the moment. Sometimes I feel like making a weird trap song, and sometimes I can't even attach a track to a genre.
"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.
I could see how artists like Parliament would revisit the same music and kinda change it a little bit, change the words and hook, and it'd still be that same flavor. A lot of groups back then would make another song that sounded very similar to a song they already had. Ohio Players used to do it.
I don't use a Beatmap; I don't use any click track. Any time I count off, it's just in my heart. Sometimes I'll go off the feel of a crowd, like if they way they're bouncing is a little quicker than the song, I might kick up the tempo a little bit. I see where the crowd is at. It's nothing drastic, but all the tempos are from my internal clock.
My advice to women who habitually gravitate toward musicians is that they learn how to play an instrument and start making music themselves. Not only will they see that it's not that hard, but sometimes I think women just want to be the very thing they think they want to sleep with. Because if you're bright enough--no offense, Tawny Kitaen--sleeping with a musician probably won't be enough for you to feel good about yourself. Even if he writes you a song for your birthday. Don't you know that a musician who writes a song for you is like a baker you're dating making you a cake? Aim higher.
Like, a song could be really tricky and intricate and be really intellectually stimulating, but I don't think that's the song that that I'm going to throw on 80% of the time. The songs that I really want to listen to are the ones that I can really feel.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
I live in Virginia alone, and sometimes there's too much time to think. So you turn on the TV, but sometimes that don't do, so you turn the music on, and sometimes that don't do, and so you try and write a song, and sometimes that don't do... So you just take it as it comes.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
Sometimes when you're writing a song, it's work, and you really have to make sure you're kind of pounding out every little piece of it. And then sometimes you write a song, and you turn around and you go, 'How did we do that?'
Sometimes I feel like being an intellectual. Sometimes I like to just be aggressive and all the way in my feelings. Sometimes I might be emotional, or sometimes I might drag on the track and be lazy. I just like to share the different states of existence of Kevin Gates with the rest of the world.
I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
The fun part, I will admit this much, there is a period when listening to my music is fun, and that's when I'm making it. There's a tiny little window before something gets old, but after it's come to fruition. There's a little window there where I can listen to a song probably about five times, and I'll really think it's awesome. That's kind of the period that lets me know when I - 99 percent of the time, that period is right about whether a song is going to be a keeper for an album or just a throwaway track that never gets - in that little window.
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