A Quote by Scilla Elworthy
Real change comes when people are enabled to use their thinking and their energy in a new way, using a different system of thought, different language, and having fresh visions of the future.
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Most new movements start this way: hundreds or thousands of individuals and groups, working in different fields and different locations, start thinking about change using a common language, without necessarily recognizing those shared values. You just start following your own vector, propelled along by people in your immediate vicinity. And then one day, you look up and realize that all those individual trajectories have turned into a wave.
Smash creative blocks. Change the problem or sneak up on it from a different direction. Try something fresh - a new way with an old theme, a different point of view, unusual tool.
All of us gardeners know that nothing comes out the way you planned. It's a different garden every year, and it's always sort of different from what you were thinking when you began. What it really means to be a good gardener is to work hard to produce an ecosystem that will have enough diversity, enough possibilities, so it's robust, and it's resilient, and it can change when the seasons change. And that kind of robust, unexpected, variable, messy system - that's what you want to create when you're having children, too.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. Its the same in religion.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. It's the same in religion.
The majority of the people of the world today are unsane, not insane, unsane meaning having been exposed to methods of evaluation that have long rendered obsolete, our language in the future will change to a saner language where we have no argument in it, 'can there be such a language?' there is, when engineers talk to each other, it's not subject to interpretation, they use math, they use descriptive systems, if I interpreted what another engineer said in the way I think he meant it: you couldn't build bridges, dams, power transmission lines. The language has to have meaning
People who have certain types of mental illness have different wiring in their brain. And part of that having a different kind of wiring so to speak could in some sense be related to having a different way of thinking which could produce genius type thoughts.
Going to the U.A.E. for the first time was a real cultural shock. Everything was different. People didn't speak my language, it was all new, a huge change. But I loved it.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language.
I do think that you can dress yourself out of a problem. The way that a haircut and a new pair of pants can make you feel is better than any therapist, because when you look in the mirror, you see a different person - you are a different person. It's superficial change that can lead to real change.
Whenever there's a new music, there's a new way of listening. And whenever there's a new way of listening, there are new musics that follow from that. And people start listening differently - that can either mean in different places or at different volumes or in different social groups or through different technologies.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
Communication media enabled collective action on new scales, at new rates, among new groups of people, multiplied the power available to civilizations and enabled new forms of social interaction. The alphabet enabled empire and monotheism, the printing press enabled science and revolution, the telephone enabled bureaucracy and globalization, the internet enabled virtual communities and electronic markets, the mobile telephone enabled smart mobs and tribes of info-nomads.
That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.
I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.
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