A Quote by Scoot McNairy
To book commercials, you do something to get to a callback, and once you get to the callback, you've got three minutes to get the people to want to hang out with you for a day.
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When I found out that they were doing a revival of 'Annie,' I decided to audition just for fun and see how it turned out. So I auditioned, and I got a callback after callback after callback. And I just wanted to be a part of the show; I didn't care what role.
Never give up. Just follow your dreams because this business can be so hard sometimes. It doesn't happen overnight where you get an audition or even a callback and get the role. It takes time.
I tried out for 'The Voice,' and I also tried out for 'America's Got Talent,' and both them, like, reached out to me. I had, like, little singing video on YouTube, and they were like, 'Come out for an audition.' I did, and I got a callback for both of them, actually, and, uh, didn't get anything after that. I was so heartbroken. But look at me now!
Hell, I'd even failed with women. Three wives. Nothing really wrong each time. It all got destroyed by petty bickering. Railing about nothing. Getting pissed-off over anything and everything. Day by day, year by year, grinding. Instead of helping each other you just sliced away, picked at this or that. Goading. Endless goading. It became a cheap contest. And once you got into it, it became habitual. You couldn't seem to get out. You almost didn't want to get out. And then you did get out. All the way.
As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.
In L.A., a lot of comics live here, but we don't get to spend that much time together because we've got to drive 45 minutes home, or do another set. So in San Francisco we can hang out, go for dinner - the community aspect of it is really lovely, as well as seeing people's shows that you don't normally get to see a longer version of.
I was supposed to see Lorde on the 'Melodrama' Tour in New York with my best friend, but then I got a callback for 'Booksmart' in L.A. and couldn't make the concert. Thank God I got the part!
I think commercials are something that everyone does to get out there and get a little bit of exposure, get their feet wet, and also pay the bills. So anytime you can be a part of a wonderful, fun commercial, that's just a bonus.
It's always the same when you don't get enough snaps. If we can get it going, stay on the field, the beauty of the offense is they'll all get involved in it. You've got to have drives, you've got to make first downs. You can't get players involved if you only have three plays and out. That's not real good.
One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.
The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.
The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.
What I like about music is that you make a song, you've got your ideas in it, and people make that song part of their life - they hang out with their friends to it, they get in arguments to it, they get married to it, they get divorced to it. It's in their world, and it takes on its own life.
I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.
I was able to get through the field and get this Lowe's ProServices Chevy up front. Those last few restarts I was able to hang on and duke it out with those guys and get a nice, top-three finish.
Two things can get people to make efforts: if people want to get something, or if they want to get rid of something. Only, in ordinary conditions, without knowledge, people do not know what they can get rid of or what they can gain.
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