A Quote by Scot Armstrong

I'm an improviser at heart, when I'm writing, I'm improvising in my head. When you're an improviser on stage, you can never be precious about anything, you can't control what anyone else is going to do. The best stuff comes out of moments of inspiration that spontaneously happen.
I think not every improviser is a good stage actor. Certainly not every stage actor is a good improviser.
I can't imagine doing anything without being an improviser. I can't imagine trying to write or act or direct without what improvising offers you.
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
I don't think I'm anything like the improviser. I'm not. I do better with at least an outline.
When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
I think by now if people hire me, they know I'm going to improvise. I'm an improviser by trade.
I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that.
I've always wanted to be an actor. I didn't get into this game to be the best improviser in the world. I didn't choose improv as a stepping stone, it just happened to become one.
When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very ­crafted, controlled environment.
We don't control everything. There are genetic influences. There are environmental exposures we don't control. I cannot guarantee anyone I counsel that by following what I hope is the good advice I offer them, they will live long and prosper. That's what I'm hoping for but I can't guarantee that. What I can tell them is this: "Look, I can help you firmly grip the wheel, and you can steer the ship. You're never going to control the winds and you're never going to control the seas. But if you sail well you can get through just about anything."
That's the thing about inspiration, it just smacks you upside the head, you can't plan for it. It comes like a stranger in the night; you never know when it's going to come or leave, and you just have to deal with the in-between moments because there's nothing you can really do about it.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
As a nation, China, is one of the most powerful countries around and if anyone can make something happen, if anything is in their control and they can make things happen and make things the best and look at their country as a beautiful place to come visit and our people are great they're going to do it. I feel like everything that hasn't been perfect over there is out of their hands. They've done everything they can to make it perfect.
You have to know composition to be a good improviser.
Vince Vaughn is a master improviser.
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