A Quote by Scott Adams
I think if you talk to anybody who ever went from not having much to having enough to buy what they wanted, they're always happier. Now I get that whole '$75,000 a year is some kind of magic number,' but my experience is 'more is better, up to a point.' Then there's a point where it doesn't make any difference.
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For many of us we are always wanting more - we would be happier if we had such and such. Maybe we should pause for a moment and hear what some people in the third world countries would like to make them happier. 1. Having enough to eat so when you go to sleep at night your stomach doesn't ach. 2. Having shoes on your feet and any kind of clothing to keep the cold out. 3. Having a roof over your head. 4. Having the hope that you'll be lucky enough to get some kind of an education. 5. Believing that the dream of freedom, brotherhood, and peace for all mankind will someday come true.
Any working cartoonist will tell you this, anybody who's working in a creative field: at some point, it's a job. You have deadlines. I think, for over a year, I refused to make them for publications, because I only wanted to make them when I wanted to make them. But at some point, I was like, "This is crazy, you have an opportunity to be a professional cartoonist.
Any flights would be taken business class, since Roger thought that the whole point of having money, if it had to be summed up in a single point, which it couldn't, but if you had to, the whole point of having a bit of money was not to have to fly scum class.
When we talk about magic a lot of people think you use that to pick up girls. So therefore there's this slimy connotation associated with it, like, "Oh hey, pick a card - my number's on it!" So I think I've avoided ever having people think that's what's happening. I try to make magic the treat of the interaction or the treat of the flirt. I've never gone up and tried to do a trick to get a girl's number, only because I feel like that's what people expect and it feels slimy.
A final of a grand slam is always a matter of details. Maybe a point here, a point there will make the difference. Maybe someone who is a bit more gutsy than the other player, someone who is having a better day than the others.
In Burton's day they [soldiers] were itching to get into the fray. Now it is the opposite. They are always whining about the dangers of being killed. Oh my God, they are such wimps now! The whole point of being in the Army is wanting to get killed, wanting to test yourself to the limits. Now you have to fly 15,000ft above the war zone to avoid getting hit. I don't think there is any point in having wars if that's how you're going to behave. It's pathetic. All this whining!
The whole point of being in the Army is wanting to get killed, wanting to test yourself to the limits. Now you have to fly 15,000ft above the war zone to avoid getting hit. I don't think there is any point in having wars if that's how you're going to behave. It's pathetic. All this whining!
There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.
I don't like a girl on social media, when you have an open inbox, answering questions from dudes left and right every day. What's the point? It's like having your number all out. Everybody think they're famous when they get 100,000 followers on Instagram and 5,000 on Twitter.
Having more freedom to bring the ball up and have the ball in my hands, just trusting me with the ball, that was one of the big things. My rookie year, I didn't have that. Just having that trust in me, just working and them seeing that I'm getting better at it, that I'm capable, that was kind of like a changing point for me.
Within a year after I write a play I forget the experience of having written it. And I couldn't revise or rewrite it if I wanted to. Up until that point, I'm so involved with the experience of having written the play, and the nature of it, that I can't see what faults it might have. The only moment of clear objectivity that I can find is at the moment of critical heat - of self-critical heat when I'm actually writing.
Now anybody can make music at home, and you can hear music on any computer without having to buy it. Everything is apparently better with all the machines we have now, but at the same time, the quality of life is not improving.
I probably get strangers coming up to me two or three times a week to just say something nice. I get more than my share of compliments as I walk through my daily life. I'm not having to show off or make a point about how good I am at doing something. I think I've always kind of been that way.
During the course of my presidency, it feels as if a couple times a year, I end up having to speak to the country and to speak to a particular community about a devastating loss. The grieving that the country feels is real, the sympathy, the prioritizing, the comforting of the families, all that’s important. But I think part of the point that I wanted to make was that it’s not enough just to feel bad.
Here's what I think I'm having trouble with: this is what happiness is. When I was a kid, I thought I'd just get happier and happier as I got older, and have more things to be happy about. I based this theory on observation of select adults. The problem with my results is that I couldn't tell the difference then between happy and fake-happy. Now I know you pretend to be just frigging ecstatic over everything, maybe because you're so glad it's not worse.
Sometimes it seems the harder you try to hold onto something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain.
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