A Quote by Scott Adkins
My first break was in a Hong Kong movie that I shot in China - I was going out there and working as a western stunt man, if you like, but at the same time in England I was working in daytime soap stuff. Eventually I put the two together.
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I was a regular on 'Holby City,' and I did daytime; that's how I started off. Off in Hong Kong doing stuntman stuff, then coming back to England doing daytime soap operas.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
When I escaped from China and came to Hong Kong, the contrast was that China was like hell and Hong Kong like heaven. Though I was very poor, I smelled the air of freedom and was full of hope for the future. That's the way I thought heaven is.
One of my goals is to have a base near mainland China. I think Hong Kong would be a good match for me. I like being in Hong Kong.
At thirteen, when I arrived in Hong Kong after leaving China, I made a living by working in a restaurant.
There was the Cultural Revolution just over the border, and Hong Kong felt quite dodgy. My younger brother's wife actually swam from China to Hong Kong to escape. I realised in the '60s that I had to get out.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
English is my second language, but in Hong Kong, they don't know that I'm from China. They think I'm from Hollywood because all the films they see are from here. China and Hong Kong are very different places, but they're starting to merge. Still the culture is very different.
I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day.
I mean when you go to a network and say, "We want to make a martial arts series in the future." And give them the pitch. And by the way, the only way to achieve the authentic Hong Kong martial arts we need a full-time fight team unit working concurrently, and we're hiring a Chinese fight team from Hong Kong. And they were like, "Great, let's go."
Hong Kong is the bellwether. If the Chinese stick to their agreement to let Hong Kong go its own path, then China will also go that way. If they don't, that is a very bad sign. I'm optimistic.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
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