A Quote by Scott Adsit
Generally, I've found that a heckler in an improv audience is just enjoying the show so much that they want to be in it.
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The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
I'm terrified of improv. Improv in a show or in front of an audience sounds terrifying.
It's so much harder to make a living off improv. Improv is so rarified and for such a specific audience.
My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
I sometimes close my eyes during a show because I have drawn a picture of an audience enjoying the show more on the back of my eyelids.
Sometimes improv doesn't work on TV because the audience had heard the thing that was shouted and they're very much alive, the audience in the room - they're alive in that moment. Whereas the audience sat at home on the sofa, it feels like it's part of a party that they haven't been invited to.
I was invited to do an all-female improv festival in Portland called All Jane, No Dick. The person running it asked me if I had a female improv team, and I just said yes and then figured out who I would want to bring with me. We had such a fun show together that we decided that we should keep doing it.
I put so much energy into with improv. You can only perform it at a place where people are, essentially, taking improv classes so that they just appreciate what's happening.
I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.
You don't want to jump in on your first day on a show and start improv-ing and changing the show.
I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.
I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.
You can spend your time on stage pleasing the heckler in the back, or you can devote it to the audience that came to hear you perform.
It's so much better for me to do a talk show. You still have that energy of the audience, and the audience is just as important as that guest that's sitting next to me. It's not about me and that guest exchanging energy and talking. It's about everything that's going on in that room, and they're as much a part of the show as anything. I like this better than anything I've ever done.
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