A Quote by Scott Aukerman

Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough. — © Scott Aukerman
Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough.
Endings of television shows are sometimes such depressing things. I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end, and we knew it was going to be the end, and sometimes it's just better if a comedy show ends and goes away and they never had a series finale.
It's not enough just to put great television shows out anymore.
Sometimes things go wrong, even when you're doing your best. That just shows that none of us are perfect. So I keep trying with all of my heart, and if that's not good enough, I'm not going to hang my head.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
I feel like sometimes people on television shows can start taking things for granted, or they don't want to be here or something like that.
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
Self-discovery is so important in identity processing: who you hang out with, what clothes you wear, what shows you see. As a kid, I found out about things through friends. I would go to hardcore shows with 50 people.
The reason I write romance is that I like happy endings. The idea, you know, 'It's not literature unless is ends badly,' and I really don't like that. There's enough misery and bad things happening in the world.
To me, television is one of the most exciting things going on right now, as far as content goes. Some of these shows that are on television are better than any of the movies out there.
In business as in life, sometimes bad things happen to good people, and sometimes good things happen to bad people. But over time, if you play long enough, everybody gets what he deserves - good and bad.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
Sometimes you're not like the person you'd want to hang out with. Would I really want to hang out with me full time? No, you've gotta find people who balance you out.
I, like a lot of people who are creative, need to step away. I can't have stuff to write about if I don't have a life. If I talk to people, hang out with my friends and hang out with my husband, I feel like I have better things to bring to the table.
If things are going bad and life is tough, hang in there. Ride it out. Come out on top.
What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. It's really hard to do a literary reproduction of what makes you happy. That's what I try to do. If nothing else, it seems like there's enough people out there telling the world what isn't cool, or what's terrible, or what's depressing. I think there's an element of cynicism in my writing, but I'm an optimistic cynic.
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