A Quote by Scott Aukerman
I probably could be a world-class screenwriter by now if I had spent the kind of work I devote on Comedy Death-Ray to that. But I do okay, in that regard. I mean, my stuff gets bought, so it's all right.
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Mel [Gibson] could stage physical comedy and put the camera in such a way... I mean, we did some really funny stuff, and he had some great ideas about how to do it. It was a delight to work with him in that regard.
I think if you're watching 'Dumb and Dumber,' I don't know whether you need to buy the Blu-ray of a comedy or something like that. But if you're watching 'Event Horizon,' 'Death Race,' 'Alien vs. Predator' I mean, I think these movies are definitely enhanced by the Blu-ray experience.
My father was a screenwriter, and I kind of grew up in that world. I always had a mind for characters and dialogue, and my head was filled with that stuff, so it seemed like a good place to start.
As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.
Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention.
Celebrate my death for the good times I've had, For the work that I've done and the friends that I've made. Celebrate my death, of whom it could be said, "She was a working class woman, and a red."
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
You had a socialist get 47 percent of the votes in the Democratic primary: Bernie Sanders. You have an outright white nationalist populist [Donald Trump] who is now in the White House with an authoritarian strongman who has no regard for facts, no regard for tradition, and no regard for the Constitution. That is what you get when you import third world conditions. You get third world politics, and that's where we are now.
Tzu Li went to see Tzu Lai who was dying. Leaning against the door, he said, 'Great is the Creator! What will he make of you now? Will he make you into a rat's liver? Will he make you into an insect's leg?' Tzu-Lai replied, 'The universe gave me my body so I may be carried, my life so I may work, my old age so I may repose, and my death so I may rest. To regard life as good is the way to regard death as good. . . . If I regard the universe as a great furnace and creation as a master foundryman, why should anywhere I go not be all right?'
It was kind of an amazing class. I went to the Strasberg Institute in New York for a little while after I got there, and I've never seen anybody who was in any of my classes there ever again. I mean, that's not to say they didn't become somebody. I'm not sure. I mean, Sam Jackson could've been in my class, for all I remember.
I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
I get guilty when I spend money on silly things like clothes and stuff. Having experienced a completely different extreme of wealth, and I don't mean me being poor or rich, I mean knowing that 40 quid that gets spent on a pair of shoes could go a long way for a family in Georgia for a week or even a month, having experienced that, you're a bit more [guilty].
But, sooner or later I'd love to do a comedy. I mean I think that, you know, people don't think that that's in my wheelhouse because I've sort of played a lot of dramatic stuff and that's certainly a side of myself that I want at some point in the right context, in the right stuff, that I find really funny.
I was teasing my brother that he was penniless, homeless, jobless. Right now in his life, racism isn't the central highlighting force: it's the world of work and economics. It doesn't mean that he isn't influenced by racism, but when he wakes up in the morning the thing that's driving his world is really issues of class, economics and power as they articulate themselves.
It was okay but then I found myself in that position of being merely a screenwriter. And you are merely the screenwriter, and there's no way around it. You don't have the same clout as the director.
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