A Quote by Scott Aukerman
I think you're a better comedian when you're in the moment and you're kind of reacting to what's happening like a real person instead of doing rote memorization.
Related Quotes
Government schools, with your tax money, now discourage the teaching of multiplication tables by rote memorization but teach reading by the 'look-and-say' method which is memorization of spelling patterns. In doing so, they ensure that children will neither be able to read nor calculate.
Americans have been good at improvising for a long time, but in the last few decades, we have gotten very sloppy about the rote memorization of facts. That's a discipline issue. You need the rote skill in order to have something to improvise off of, otherwise you are simply playing air guitar.
In 'The Smurfs,' I was actually a live action character. So, I was a real person in that movie. But I was working with animated characters, which is very strange because they're off recording their work, and we're kind of reacting to nothing when we're doing the film.
I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.
Playing a real person, it does add an extra level of thoughtfulness. You're portraying someone who actually existed, so instead of saying, like, 'OK, I think this would make the scene better,' it's more a question of, 'What do I think the real Jeffrey Dahmer would do?'
What makes America great is in our imagination, not in memorization. We are not a memorization-fixated culture. We can't compete with the Chinese and Japanese in memorization. Where we have been competitive is in creativity.
I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.
The status quo was rote memorization and recitation in classrooms thronged with passive children who were sternly disciplined when they expressed individual needs.
Learn Languages the Right Way. Language acquisition games and abstract communicative method are bullshit. The second-best way to learn a foreign language is alone in a room doing skull-numbing rote memorization of vocabulary, grammar, key phrases, and colloquialisms. The best way is in bed.
Damian Lewis is a consummate professional. He is kind. He's compassionate. He's able to engage in real conversation when we're not rolling, and then, the minute we're rolling, he's totally present and reacting truthfully in the moment and listening.
I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.
There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
When you're an artist, there's always a moment in your life when you think you're not inspired and instead of doing things and instead of travel and instead of falling in love, you're just depressed, so you don't move, so you don't change. So you're not inspired.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
Most people confuse the "now" with what is happening to them in the now. Actually what is happening to you now has nothing to do with the present moment itself. If you were to suddenly die the present moment would remain. The problem occurs when we attach in our minds with what is happening to "us" presently. This is simply a mental construct that we have created ourselves. It is much like a grievance, either real or imagined. If we attach to grievances we are constantly inflicting suffering on ourselves, not the other party.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer