A Quote by Scott Aukerman
There's always something interesting about comedy teams that have the exact same energy. The one time I really noticed that was Will Ferrell and John C. Reilly in 'Step Brothers.'
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When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
All the energy in the universe is evenly present in all places at the same time. We don't get energy, we release energy. And the triggering mechanism to release energy is desire. When you have a strong desire to do something, you will always have the energy to do it.
Will Ferrell is probably the funniest comic actor, certainly of my generation. I am a huge, huge Will Ferrell fan. I'm not a huge comedy buff, truthfully. What I find funny is either something unbelievably stupid, like Dumb And Dumber or Airplane!, where the jokes are just so stupid and pointless, or something like The Office or The Comeback, where the humor is in the excruciating awkwardness of a situation. Stella kind of explores both of those, stupidity and awkwardness.
People like Bill Murray are incredible at what they do and are definitely my flavour. Although Will Ferrell, Sacha Baron Cohen and Ricky Gervais are also incredible actors. In their comedy, they make these stupid people feel so real. These guys are really setting the bar very high, and I learn as much from them about acting as I do about comedy.
It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
I loved Stanford and symbolic systems. For me, I came to Stanford assuming I would be a doctor and got really deep into chemistry and biology, but I noticed everyone who was on the same track as me was taking the exact same classes. I wanted to do something more unique.
There's nothing better than having an experience now that's the exact same thing I would've done when I was 16, like texting a really awkward "I like you" message to someone. The way you phrase it might change, but it will always continue to happen, and there's something really charming and calming about that.
A lot of guys come out, and they do the exact same thing, are in the exact same mood, and have the exact same entrance every night, I really just make up a lot of crap as I go along.
Developing projects of my own and producing and writing and directing is something that's very interesting to me, but you know, one step at a time and you've got to establish yourself on one side before you really have the power to do something else. That's always the immediate goal.
I always do that at the end of shows, like a Q&A session. First of all it lets people know that this isn't some preprogrammed, press-play show where I have to say the exact same words in the exact same order. That's part of the thing with live comedy is that people like the fun aspect of it and I enjoy the taking questions part.
I hope I don't just do the exact same thing my whole life. I also feel like it's really hard to make comedy. It's almost impossible for comedy filmmakers and directors to stay relevant as they get older.
The cap is a discussion about competitiveness, not about money. It's about trying to bring the top teams down to a level where the midfield teams feel they can compete. The reality is that whatever the level of spend there will always be teams that run at the front and teams that run at the back.
The exact time of death, I think, is not something that matters so much at this moment for we will be reliving John Paul's life for many days and weeks and even years and decades and centuries to come.
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