A Quote by Scott Avett
Someone like John Prine can write a song that tears into your soul, turn it over, and write a song that makes you laugh and feel light as a feather. With someone like him, you're getting a real picture of a person, a real expression.
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I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
I'd love to try and teach Donald Trump how to write a song. I'd love to put him in a room with another person - someone who's protesting him at the Women's March. I'd put the three of us in a room and all write a song together. If that can happen, it proves we can get over our differences.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
It's not that I can't collaborate. It's just that I don't know how to say no to people. If someone's like, 'Let's write a song together,' it's like, 'You'll write the song, and I'm gonna okay everything.' It's very hard to think that their ideas work with what I'm trying to do.
I wouldn’t be able to write a song like “Someone Like You” and get someone else to sing it because it’s so personal. It’s like giving away your heart.
I wouldn't be able to write a song like 'Someone Like You' and get someone else to sing it because it's so personal. It's like giving away your heart.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
To write a good song, an artist has to drawn from reality. There has to be some spark from realism that communicates a real feeling to someone else. You have to be real. Or you have to be a really good storyteller.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
The 'Bryson' song was a focus track. I dropped so many gems throughout the whole song. I don't want no bars to go over nobody's head in my light songs. If you apply them to your real life, you will see change immediately. Apply it to your life and I just know it will help someone.
I think it's fine for a singer to sing someone else's song. But the thing I don't like is when a singer that can write songs starts getting someone else to do it for them.
I mean, my wife is always like - I don't write lyrics. So I couldn't, like, really technically write a song for anyone. I could write a very nice instrumental. So she always sort of gives me a hard time because it's just such a ridiculously impossible standard to live up to, that your step-dad wrote that song for your mom.
No matter what, if you write a song that's great that everyone expects to be a hit, then everyone's going to be expecting another one from you. If you write a song that no one notices, you're going to want to write one that someone will.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
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