A Quote by Scott Baio
From a very young age, my father put a lot of fear in me and it worked. I think it's important for children to have fear. I never was curious about drugs or alcohol. I was born in 1960 and back then the older kids were smoking pot. I wasn't interested in that ever and I always had this thing in me, for some reason, that if God was kind enough to give me a healthy body and mind, I was not going to screw it up.
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The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
My father taught me to not fear anything. Having said that, much of my addiction to alcohol and drugs was tied to fear: fear of flying, fear of talking to women, etc. I conquered those fears years ago.
I've got two older sisters, which I think was the best thing, but also the worst thing. They dressed me up like a girl, but at the same time I think they taught me a lot of what they experienced and what they lived through, and passed that on to me as a young man and influenced how I approached not only women, but people. I got very lucky with the family I was born into. From my older sisters to my mother and father, they're just good, kind-hearted people.
I've always felt that if you back down from a fear, the ghost of that fear never goes away. It diminishes people. So I've always said 'yes' to the thing I'm most scared about. The fear of letting myself down - of saying 'no' to something that I was afraid of and then sitting in my room later going, 'I wish I'd had the guts to say this or that' - that galvanizes me more than anything.
I'm not saying pot is a bad thing. I know plenty of people who should be smoking pot. I'm just not one of those people. I don't think it would be the best drug for me. What am I going to do, start doing drugs at my age? It's a little late. I'm a mother of two. It's probably not the best idea for me to start getting into it now.
My dad was always super-active and got me in the gym at a young age. He wanted me to be health-conscious. 'Healthy body, healthy mind'; that's what he preached to me.
I was scared to death, but I made fear score points for me. Fear is right behind me, fear is six inches off my back, that's where fear is. I can feel its presence. But it's not going to catch me... I'm going to take fear and use it to my advantage.
When I was a little kid, if somebody said they were thirty-five, I'd say "Oooh, they're going to die soon". But as I get older it doesn't mean a thing. You mustn't ever give in. Never give in to thinking you're old, because you're never old. Your mind, and I tell you this and listen to me carefully, your mind is never, ever old, it's eternally young.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
I've always relied on discipline to achieve goals great and small. At a young age, my father instilled a real work ethic in me - and a fear of men. I always felt like if I didn't have a natural knack for something, I could kind of out-discipline the competition as it were. So I would always work as hard as I possibly could, sometimes to my own detriment and my personal life. For me, I think will power and discipline are very synonymous.
I didn't have a fraternity-like experience. I mean, I grew up with an older brother and a lot of male cousins and we were very physical with each other. We were very rambunctious when we were kids. But I never thought much - nor did I have reason to think much - about institutionalized hazing. But I think there's a reason young men are drawn to it.
It's hard enough to be in a marriage, and then have a kid, then kids, it changes everything. For me, I'd become more concerned with my children. Not that I ignored Britney, but my kids are always most important . . . I mean, we were having complications. I didn't give her an ultimatum, but I was trying to work stuff out with her, and she didn't even talk to me or anything and went behind my back and filed [for divorce]. [I was] completely blindsided.
I got this big fear of doing smoking jokes in my act and showing up five years from now goin' [puts mic to his neck and speaks as if he had a mechanical larynx] 'good evening everybody, remember me, smoking's bad. [puts cigarette to neck and mimics smoking it] Eeww. You ever seen somebody do that? I've seen someone do that. Let me tell you something — if you're smoking out of a hole in your neck [mimics it again] I'd think about quitting. And that's just me, ya know.
I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it.
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