A Quote by Scott Baio
There are two different kinds of actors. There are people who take it just so damn seriously. Then there are guys like me that just get up and love doing it.
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To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.
I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is telling me the story as he's sitting in that witness chair, and they're putting the final touches of makeup on. And he goes, "Hold on a second," to stop his story so he can do the take. And he does this incredible take. They go, "Cut." And then immediately John goes, "Anyways, so Alec, he's playing the chess." And I'm just going, "Holy crap." You get whiplash from those kinds of quick turns!
For me, the best experience is to get to watch all of these different actors that come to the different seasons and bring these A-game performances. I'm just like, "Wow, can you do that again, so that I can take notes? How did you do that?!" That's the greatest joy, in doing a show like 'Hap and Leonard: Mucho Mojo'. I get to watch all of these thespians come rip it a new asshole.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.
I'm just a guy. I get treated like I'm famous but I don't take it seriously. I take the time people take out to check me out very, very seriously.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
They just hate it when people make love. And then they'll go to a fistfight where somebody's really hurt and all covered with bloodand they'll just love that. Or a war and stuff like that. They're all mixed up and they're trying to take it out on you so you get mixed up too.
I think some people have a different idea of what the band Young the Giant is. We're normal guys. We're down to earth. We like doing other things besides music although for the past three years music has been our life. We're not trying to be too pretentious. Some people take that as a red flag. They say, 'these guys are boring' or 'they don't have anything flamboyant or left field-ish to say,' but if they don't like that then they don't like that. That's who we are. Just even tempered people. We're not too crazy.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
It's important not to take yourself too seriously, ... and I think sometimes people take us a lot more seriously than we take ourselves, especially when it comes to politics. Politics, for me, is a reflection of the world I live in. But love is just as important as politics to me. They both exist in the world, you know? And if you don't reflect the entire world around you, then you're leaving something out.
If the spaces open up in the attack, then of course I'm willing to take it because I love to get involved; I love to get crosses in. I love to do combinations and just bring a different aspect to our game.
I did Bored To Death with Jason [Schwartzman] and Zach Galifianakis and those guys. I mean, how lucky can you be that you get to be the old guy? I get to be Robert Preston to them now. That's what I feel. My job is to pass on what Preston and other people gave to me, which was show up, take the work seriously, don't take yourself seriously, and have a good time and be of service. Be there to support.
You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.
I love being married. It's great. But I hate arguing. I hate fighting. You know what I do now? When we get in an argument, I just take her side against me. It's just easier; it goes quicker. She's like, "What's wrong with you?" And I'm like, "I know! Damn it! Argh!"
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