A Quote by Scott Baio
I very rarely came across rude or disrespectful people. I don't know how I slipped by all of them, but I honestly can't think of one experience off the top of my head that was like that. I'm sure they're there, but I'd have to think really hard to recall them.
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Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
I think people really don't like cops so much; they're kind of rude to them or treat them like they can't see them.
The madman theory can work, but it only works if it's strategic. And I think one of the problems that President Trump faces is people don't really know how much strategy is here and how much is he just sort of talking off the top of his head. And I think North Korea is a really classic case of a potentially insoluble problem, a problem that you have to manage.
It's hard because people often don't recognise shyness; they think it's just someone being rude. I have had to work to overcome that, especially if I'm meeting my readers at author events, because I don't want them to think I'm snooty or rude.
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
I think I just pick really smart and motivated people to work with - people who are probably going to do great things anyway - and I just teach them what I know, maybe teach them how to think a little clearer than they did before, and then off they go.
I'm not so sure that I can teach people how to, you know, write dialogue or create plot or anything like that. But if I can get them and grab them by the scruff of the neck and say, you can do this, and if I see that fire in their eyes, that's when I think I know a writer.
Fundamentally, as human beings, we're very, very alike and a lot more alike than we think, but we have a tendency to divide the world into them and us. In prison, when people commit a crime and we put them away, they definitely become "them." We don't want to deal with it because they have chosen to step out of society, so we're going to keep them out. Even if they serve their time, we're going to make sure that, for the rest of their lives, they're going to be branded. I don't know how to do it in a different way, but I think it clearly doesn't work.
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
It is important to know how influential people think and perceive their countrymen, let's say, especially when you are talking about people in power. I think it can be very revealing how they regard themselves and their relationship or their responsibility to their countrymen. That is vital for us all to know and in order to be able to judge them and evaluate them.
I mean God knows I've done tons of schlock during the course of my career and stuff that's been very low budget and really pressed for time, but I've never had an experience like this. I kept saying to people, "How do you do this?" I said to Susan [Lucci], "How do you do it?" I don't recall exactly what she answered me but it was something like "Close my eyes and think of England. You just do it."
I think it's a broader target list than just Wall Street, and I believe that we have to be very focused on how we try to take back the power and increase the empowerment of the American people. And, I think I have that kind of experience, maybe because they've beat me up for so many years, and I know exactly how to handle them because I've been in the arena with them time and time again.
I don't think most people associate me with leeches or how to get them off. But I know how to get them off. I'm an expert at it.
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
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