A Quote by Scott Bakula
When you get into any kind of period work, or any kind of prosthetic work, or anything that alters what your 8×10 looks like, it's the joy of escaping and becoming somebody else. And it is definitely freeing.
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Happiness is a state of non-contradictory joy--a joy without penalty or guilt, a joy that does not clash with any of your values and does not work for your own destruction, not the joy of escaping from your mind, but of using your mind's fullest power, not the joy of faking reality, but of achieving values that are real, not the joy of a drunkard, but of a producer.
My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
You know what your trouble is? You're the kind who always reads the handbook. Anything people build, any kind of technology, it's going to have some specific purpose. It's for doing something that somebody already understands. But if it's new technology, it'll open areas nobody's ever thought of before. You read the manual, man, and you won't play around with it, not the same way. And you get all funny when somebody else uses it to do something you never thought of.
No matter where you're at, there are always guys you don't get along with. If it's any kind of job or any kind of situation in life, there's always going to be someone that gets on your nerves, and it definitely is the case with some of the fighters.
The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.
I like to go to work, and also, I don't have any kids. I don't have any hobbies. I don't like to travel. So going to work is kind of it.
I don't particularly dislike any kind of person that might be reading my stuff. They like it and that's cool, but I don't do the work for any kind of group in particular, except for hobos, who just plain kick ass and light up my life.
I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.
To work on the competition wear for the Olympics is kind of insane. As a fashion designer, you don't think to yourself, 'I'm going to get the opportunity to work with athletes at that level at the Olympic Games.' It really is such an incredible thing to have any kind of contact with as a designer.
For anybody that works in any kind of demining or any kind of humanitarian aid work, there is danger and it's always a high-risk area [in Cambodia].
Somebody once said that the ideal size of a country for democracy to work is around 10 million people - and that kind of makes sense if you think of it in very crude terms. In a smaller country, I guess it's easier to maintain some kind of common ground.I do think the Swedish system of government works really well. Obviously, everything doesn't work perfectly, but I like the principle of it.
One of the things I really like about doing work online, and the thing I like about the work I'm doing now, is that I get to meet feminists all the time and I get to read new feminists every day on the blogosphere. And it's really that kind of diversity of thought that informs me more than anything else these days. It's just kind of learning something new all the time. And I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.
If you stop doing a skill you've done for years for any period of time, there's an adjustment period to get it back. In anything you do. Motor skills won't work as fast, because repetition is everything.
No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.
Baltimore was never intended to be anything other than this original novel that Chris Golden and I did together. There was never any thought of this thing going on and becoming a series. If there's any common thing between these characters, it's that they weren't anything I was seeing in comics. Almost everything I've done is something I wish somebody else was doing, because it's what I'd like to read.
Let your works not be interrupted by the stupidities happening in your own country! Work and walk on your true path ignoring any kind of distractions! Abstract yourself from all the primitivenesses surrounding you! Concentrate on your work!
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