A Quote by Scott Borchetta

You can come after me all day long. I don't care. — © Scott Borchetta
You can come after me all day long. I don't care.
It's really touching that we can come back after so long and care about making an album that says as much as this one does. And after all this time, we really do care about each other.
I care not if I live but a day and a night, so long as my deeds live after me.
Of course you come back after a long day and are heavy hearted when all of your scenes are unremittingly upsetting or angry, but I don't take it home with me.
At the end of the day, I have to wash my face. I hate going to bed after a long day not washing my face. It's something I've grown into. When I was younger, I didn't care.
The people who have adored me-- there have not been very many, but there have been some-- have always insisted on living on, long after I had ceased to care for them, or they to care for me.
As long as God is with me, I don’t need anything else. With my father looking after me from heaven, I wouldn’t be tired or exhausted, no matter what! As long as I’m with my beloved members, i can do anything! With ELF’s care on me, I can do everything
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
All civilized people see the day beginning at dawn or a little after or a long time after or whatever time their work begins; this they lengthen according to their work, during what they call 'all day long'; and end it when they close their eyes. It is they who say the days are long. On the contrary, the days are round.
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next day had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
He die one day, and then he go above of my head to live with your father." He weared the long hair, and after he died, the first day he come back here for to say hello to the peoples." He nice, the Jesus.
Every day I'd come home after school, pop the hood of my mom's car, put alligator clips on the battery, and wire into the house and go play on my computer. If I used it for too long, I'd wear down the car battery, and my mom would be all mad at me the next day.
I don't care what a man is as long as he treats me right. He can be a gambler, a hustler, someone everybody else thinks is obnoxious, I don't care so long as he's straight with me and our dealings are fair.
What are the sources of an illumination? To me, they come after hours of searching and keeping my soul ready. Yet they come in a flash, as a religious phenomenon. The Heart is a Lonely Hunter had such an illumination, beginning my long search for the truth of the story and flashing light into the long two years ahead.
But day after day of depression, the kind that doesn’t seem to merit carting me off to a hospital but allows me to sit here on this stoop in summer camp as if I were normal, day after day wearing down everybody who gets near me. My behavior seems, somehow, not acute enough for them to know what to do with me, though I’m just enough of a mess to be driving everyone around me crazy.
After a long day, folk rest at night. After a long summer, folk play games and sit about in the winter. After a long life folk sit about the fire and stay warm, for the chill of death is upon them, and even the thickest bearskin can't keep off the shivering.
An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
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