A Quote by Scott Borchetta
Because we are Nashville-based and predominately a country label, people obviously think of us in that way, and that's fine.
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Now with the world being such a global community, the way the Internet has sort of leveled the playing field because you have so many things that are instantly accessible. It used to feel that way though, this outside pressure that you had to go to New York or LA or actually Nashville if you're into country music to succeed. But obviously we didn't and I didn't move to LA til after I had established us. I think it's easier for people to do it these days just because of the global world we live in.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
The United States presents a value system to the world that is based on democracy, based on economic freedom, based on individual rights for men and women, .. I think that is what makes us such a draw for nations around the world. People come to the United States to be educated, to become Americans. We are a country of countries and we touch every country, and every country in world touches us.
I think it gave us the freedom to be more creative and do things the way we wanted to do them, so if a label liked it that was cool and if they didn't like it fine. Ultimately it was up to us to sink or swim and there was nobody telling us what direction to go in. I think that made the entire record more diverse.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
I should be the one to say what I do. It's just not done that way anymore in Nashville, and I can't do it the other way. That's how our record label came about.
When I do a voiceover now, there are always a few people I've borrowed bits off, whether it's their hats or facial hair, who'll say: 'That's so funny; it's obviously based on this guy.' You think, 'It ain't: it's you.' Actors never think characters are based on them.
It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."
I think it is fine to have sports divided into men's and women's, just as it is fine to say a fifteen-year-old is incapable of consenting to sex. But we should recognize these are social distinctions based on biology, and not categories foisted upon us by nature.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
As a black man who doesn't know another black man who hasn't had strange run-ins with police officers, it's impossible for us not to think about whether that could have been us - based on our country, based on our culture, based on our past experiences.
I'm openly gay, and I've got a major label record deal in Nashville, and it happened when I was 42 years old. It's not supposed to happen that way.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
Obviously there is no such thing as race, and in many ways, sex is a continuum, not a binary. So it doesn't make sense to label people in that way.
I want to tell everyone, 'You're perfectly fine right now.' No one told me that.. I hope people can think, 'I'm great the way I am. I'm doing fine. Even if I can't reach the criteria of success measured and necessitated by society, even if I'm weeded out, I'm beautiful the way I am. I'm pretty, I'm perfectly fine without having to think about other people's opinions and stereotypes.'
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