A Quote by Scott Bradfield
For years (decades even), I genuinely believed that world would beat a path to my books and stories, but eventually, as everything I wrote went rapidly out of print and stayed there, I wised up and started assembling them in e-format editions...
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'The Danish Girl' was published in 2000. Then it, too, would disappear, as most books do. It fell out of print almost everywhere. I wrote other books and, as an editor, worked on dozens more. Yet always, Lili stayed with me.
'Lucky Man' I wrote when I was twelve years old. I wrote it when I first was given a guitar by my mother. I only knew four chords, but I used them all to write that song. And it just stayed with me, stayed in my head. I didn't even write it on a piece of paper. I remembered it.
He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.
I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first eight to 10 scripts were pretty horrendous, but I stayed at it, stayed at it, and stayed at it, until I eventually found a voice and a subject like Rocky that people were interested in.
I always thought that digital first was a simplistic notion, and I am not even sure quite what it means. It should be stories first. Let's take the Paris story: the New York Times covered it all day, we held nothing back. Everything we learned, we published online. Then, when you approach your print deadline, you have to do two things. You have to polish those stories that are online because print is less forgiving of mistakes. Secondly, in an ideal world, you pick one thing that will feel fresh and compelling to people in the morning when they pick up the print paper.
Maybe she still was a pretty-head, making up irrational stories about the empty forest. The longer she stayed alone out here, the more Tally understood why the Rusties and their predecessors had believed in invisible beings, praying to placate spirits as they trashed the natural world around them.
Instead of rising rapidly in the beginning and flattening out later, the earnings curves of most those who eventually become millionaires was the reverse; their income increased slowly, if at all, for many years. And then after two to three decades, it suddenly went through the roof.
When the print revolution occurred 400 years ago, human beings lost a certain mental capacity, including a sense of memory. In Africa today, you meet people who still carry everything in their heads, the way we used to. We rely on telephone books, address books. We have to look up everything.
Books arent written on whim or promises. Books are written on years turned inside out by ideas that never let go until you get them in print, and even then writings a last resort, a desperate ransom you pay to get your life back.
My parents were only one part of my lineage. I also met a number of mentors, one of whom I nicknamed "Socrates" after the ancient Greek, and wrote about in my first book, Way of the Peaceful Warrior. That book emerged in 1980, as a result of travels around the world and decades of preparation, eventually leading to 15 other books written over the years, culminating in my newest offering, The Four Purposes of Life.
I'd always written rhymes but I was scared to share them. They stayed on paper or in my head, until I started going to watch battles and eventually thought to myself, "I'm definitely as good as some of these guys, and maybe even better than them".
You write a book, it's out for however many years, and with the passing of time, you're not the same person. I'm not the same person I was when I wrote those books; I'm not even the same person I was when I started writing 'Beg.' I had many shifts spiritually, and one of them was in the use of language.
I'm trying to break myself of that habit [of not writing out a first draft ] because I'm working on a couple novels and I know if I tried to write those books the way I wrote the stories it would take me years to finish.
I'm sure you're aware, with the time it takes to put these books together, everything can suddenly start coming out at once even though I wrote anything between one and five years ago.
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