A Quote by Scott Cohen

If I really knew how to do good storytelling, I would be a writer. Mystery is not a huge part of it. ... It's tension, it's relationships. I think it's a struggle.
I think the most important part of storytelling is tension. It's the constant tension of suspense that in a sense mirrors life, because nobody knows what's going to happen three hours from now.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.
There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
I think everything's a part and parcel of being in this profession, rejection being a huge, huge part of it, and I can't tell you how grateful I am for all those rejections because one thing that I understand is that you have to be really, really strong headed, you have to be very level headed, If you want to be in this industry.
I'm proudly a crime writer, but it would be really inaccurate to call me a mystery writer.
It was natural to see the struggle for dignity for black people in America as a sister struggle of the Jewish struggle. So growing up, it was always a part of my breakfast cereal to think of myself as someone who was part of a larger struggle.
For a while, I thought I would maybe be a writer. But with music, I was such a nerd; I was really obsessive about it. The problem was I couldn't really sing. I think one day I sang from a different part of my body, from my gut for the first time, and I was like, 'Oh! That's how you're supposed to do it.'
Good sex is a mystery. Perhaps humping and pumping is not a mystery, but good sex is a mystery, and how human beings become truly intimate remains a mystery.
I think I always knew that I would do something with art because it was the one thing that I knew I was really good at.
I do think the internet has killed the mystery of the planet. It's removed the pain, the passion, and the struggle - I firmly believe they're all part of creativity.
If there wasn't mystery, people wouldn't have anything to ponder. If you already knew everything, you wouldn't have anything to think about and life would just be really boring.
I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
Slavery was a web of relationships, and if people knew how thick the whole business was, they would not make fun of people like Harriet Tubman. They would understand how intelligent she was and how sharp.
I don't think of myself as a mystery or thriller writer, honestly. I am in awe of mystery writers and don't think I have what it takes to write such a book.
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