A Quote by Scott Eastwood

David Ayer is one of the best directors I've ever worked with. He's a true man's man. — © Scott Eastwood
David Ayer is one of the best directors I've ever worked with. He's a true man's man.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
As gentle a man as he was, as tender as was his heart, there was nothing weak about Michael Hosea. He was the strongest-minded man Joseph had ever met. A Man like Noah. A Man like the Shepherd-king David. A man after God's own heart.
I mean, I'm willing to do anything with Chris Chulack - he's one of my favorite directors I've ever worked with, and I just think he's a fantastic man, and a great creator, and a good friend.
David - the man after God's own heart - was a man of war and a mighty man of valour. When all Israel were on the run, David faced Goliath - alone... with God - and he but a stripling, and well scolded, too, by his brother for having come to see the battle.
Working with David Ayer...the guy is a great filmmaker.
I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
This is the first time in my experience... that I ever heard of a Senator trying to discredit his own Government before the world.... Your telegram is not only not true and an insolent approach to a situation that should have been worked out between man and man - but it shows conclusively that you are not even fit to have a hand in the operation of the Government of the United States.
F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.
I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
To speak impartially, both sayings are very true: that man to man is a kind of God; and that man to man is an arrant wolf. The first is true, if we compare citizens amongst themselves; and the second, if we compare cities.
God cannot be referred to as 'good,' 'better,' or 'best' because He is above all things. If a man says that God is wise, the man is lying because anything that is wise can become wiser. Anything that a man might say about God is incorrect... The best a man can do is to remain silent...The true master knows that if he had a God he could understand, he would never hold Him to be God.
I screen tested for Training Day many years ago, which was David Ayer's script with Antoine Fuqua directing.
I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.
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