A Quote by Scott Fujita

I recognize the fact that I don't have one single drop of Japanese blood in my body. But I've always felt half-Japanese at heart. — © Scott Fujita
I recognize the fact that I don't have one single drop of Japanese blood in my body. But I've always felt half-Japanese at heart.
I recognize the fact that I don't have one single drop of Japanese blood in my body. But I've always felt half Japanese at heart.
It is sobering to recall that though the Japanese relocation program, carried through at such incalculable cost in misery and tragedy, was justified on the ground that the Japanese were potentially disloyal, the record does not disclose a single case of Japanese disloyalty or sabotage during the whole war.
Japanese people wouldn't come up with ideas of blood splattering all over. Japanese focus more on the intricacies of the actions, the motion.
The method (of learning Japanese) recommended by experts is to be born as a Japanese baby and raised by a Japanese family, in Japan. And even then it's not easy.
Japanese women have always loved my films, even when no one else did. Ever since I made 'Maurice' in the 1980s, I've been getting hundreds of letter from Japanese girls. They definitely have a special place in my heart.
I investigated reported Japanese atrocities committed by the Japanese Army in Nanking and elsewhere. Verbal accounts of reliable eyewitnesses and letters from individuals whose credibility is beyond question afford convincing proof that the Japanese Army behaved and is continuing to behave in a fashion reminiscent of Attila and his Huns. Not less than 300,000 Chinese civilians were slaughtered, many in cold blood.
Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
The Japanese army is now prepared to use every means within its power to subdue its opponents. The objectives of the Japanese Expeditionary Forces are, as clearly set forth in statements issued by the Japanese Government, not only to protect the vested interests of Japan and the lives and property of the Japanese residents in the affected area, but also to scourge the Chinese Government and army who have een pursuing anti-foreign and anti-Japanese policies in collaboration with Communist influences.
If you're Japanese and you signed up for Pinterest in Japan, you see Japanese ideas, not American ideas that look Japanese - it's a very big difference.
They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
I am sure that the Japanese, the Chinese and the peoples of Islam will always be closer to us than, for example, France, in spite of the fact that we are related by blood (...)
We made air attacks on the Japanese anchorage, sinking and damaging several vessels. However, the Japanese were alerted to the fact that American carriers were nearby.
I think that the Japanese - and I do love Japanese cuisine and adore Japanese food culture - I think that they're going to plow through the entire world's fishing. They're going to eat everything anyways.
There aren't many American directors here trying to direct a Japanese yakuza film. When you combine that with the fact that I don't speak much Japanese and this was an independent film I was financing myself - people were curious about what I was doing.
Very often people who live in a ghetto accept some of the stigmatisation against them. I mention the case of a Japanese minority the Burakumin, which was pure Japanese in descent, but which was concerned with dirty work: leather work, cadavers, and some other things.There was a famous story of an old man who asked: 'Do you yourself believe you are the same as the Japanese?' And the outsider said: 'I do not know, we are dirty.' This kind of conscience was never there in the surroundings in which I lived. One always felt as someone whom could be proud of, being both German and Jewish.
The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.
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