A Quote by Scott Fujita

The way the team and the community embraced us when we first arrived, and the way they continue to do so, even today, shows how deep this connection is. I'm honored to be a part of this organization and so proud to retire as a New Orleans Saint.
It's time for us to come together. It's time for us to rebuild New Orleans - the one that should be a chocolate New Orleans. This city will be a majority African American city. It's the way God wants it to be. You can't have New Orleans no other way. It wouldn't be New Orleans.
It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.
The first step in community organization is community disorganization. The disruption of the present organization is the first step toward community organization. Present arrangements must be disorganized if they are to be displace by new patterns.... All change means disorganization of the old and organization of the new.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
New Orleans has to learn to live with water rather than in fear of water, and we need a master plan that shows us how to do this. It's so critical that we send a signal to everyone in the country that we're serious about rebuilding New Orleans.
I'm always honored to see my music and New Orleans Bounce make its way into mainstream culture.
I feel honored that the Hispanic community in the United States have embraced me. I'm really happy and honored to receive their support.
With Yele Haiti, the first thing was I'm proud of the organization and the work that the organization has done, and in the future hope to continue doing.
I'm extraordinarily honored and proud when I am told that I am part of the Broadway community and part of the Broadway family. Because, Broadway is a family. And it doesn't matter if you did one show or if you did fifty shows.
The Madden NFL franchise holds a special place in popular culture and the cover is a coveted position for players all over the league. I'm honored to be the first cover athlete chosen by Madden NFL fans and it's a great way to cap off an amazing year for the Saints and the city of New Orleans.
I don't see myself only as a member of the New Orleans community. I see myself as a part of the human community. I see myself as a part of the community that's trying to put things in the world that add value to people's lives.
Community stuff is always important to me, it's very important to the New Jersey Devils and the organization, so along with not just myself but the rest of the players on the team, it's always a priority to be able to give back in the best way possible.
Coming here to the New York Jets, where my father once coached and was part of the Super Bowl III staff, is fantastic. I look around at the facilities and the people they have in place and see a first-class organization. I'm just proud to be part of it.
Anything back in New Orleans is definitely nostalgic. I really played my first shows of my life and learned to perform here. I learned how to work a stage and how to connect with a crowd. It all started here.
Half of my family has a deep-rooted connection to the South and Louisiana, and for me, New Orleans is one of our most precious, historic communities: visually, emotionally, artistically.
I was brought here [New Orleans] for a reason. I feel like I can make a tremendous impact, not only with the team but in the community.
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