A Quote by Scott Glenn
For me, the first thing that I respond to - whether it's doing a play or movie or television or anything - is just the character. Is this a guy whose shoes I want to walk in for the next 12 days or six months?
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People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
Sometimes when you're doing fantasy, that's the most important thing, is to be a blank space, because the last thing you want to do ever as an actor is judge yourself or the character or the movie that you're in. You want to just play the moment as best you can. Juilliard helped me do that.
I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
I'd like to play a guy who doesn't think so much. I'd like a character whose words come out before he thinks about it. I want a character who is just kind of dumb in that way. A guy who doesn't have too many dangerous, devious ideas. It would be fun to play a role like that.
On a movie, you often work fourteen-, sixteen-hour days, six days a week, for six months. It is so easy to let up because of fatigue.
Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is, 'It's insane! And, as a person, I can't do anything!'
Movie failures are like the common cold. You can stay in bed and take aspirin for six days and recover. Or you can walk around and ignore it for six days and recover.
Film is an avenue that I really want to explore more. I’ve learned that my personality is quite impulsive and spontaneous, so the idea that I could play a character for six months and then play something else immediately after is really appealing to me.
Most of the time when you see a movie, the best character in the movie is not "the guy," it's the guy next to the guy.
When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
Movies are boring. It's like watching paint dry. I did a little role in a movie, and it was eight lines. I was there for three days. It's just horrible. Television is 15 hour days. Movies are 18 hour days. And it's 18 hours of doing not a thing.
Frankly, I fail to see how going for a six-month, thousand-mile walk through deserts and mountains can be judged less real than spending six months working eight hours a day, five days a week, in order to earn enough money to be able to come back to a comfortable home in the evening and sit in front of a TV screen and watch the two-dimensional image of some guy talking about a book he has written on a six-month, thousand-mile walk through deserts and mountains.
Not all television scripts are created equal. And the process is ridiculous. They send you a script and want you in the next morning. That's not how acting works. You can do anything to me as an actor; I'm a very resilient guy. Just don't rush me. If you ask me to do it immediately with no time to prepare, I know you have contempt for actors.
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