A Quote by Scott Hicks

I always love depth. I like looking through windows, through frames, through spaces into other spaces. — © Scott Hicks
I always love depth. I like looking through windows, through frames, through spaces into other spaces.
We raise awareness and drop information about access and laws into pop culture spaces through making videos and through live events. That's like fifty percent of what we do.
We need to get away from labels. That's the way people talk in Washington, D.C. - through labels, through ideological frames, through partisan frames.
Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.
I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
I love moving through long spaces and being enclosed.
Coming to the Bible through commentaries is much like looking at a landscape through garret windows, over which generations of unmolested spiders have spun their webs.
You have to free yourself from your mental conditioning through association with the holy, through doing good works, through meditating, through laughter, through love and through solitude.
German writings attain popularity through a great name, or through personalities, or through good connections, or through effort,or through moderate immorality, or through accomplished incomprehensibility, or through harmonious platitude, or through versatile boredom, or through constant striving after the absolute.
Genius detects through the fly, through the caterpillar, through the grub, through the egg, the constant individual; through countless individuals the fixed species; through many species the genus; through all genera the steadfast type; through all the kingdoms of organized life the eternal unity. Nature is a mutable cloud which is always and never the same.
It’s not the body that people love, but the soul. The body is a temporary vehicle. Without the soul, the body is like a car without a driver. I see through my eyes, smell through my nose, taste through my tongue, hear through my ears, feel through my skin, think through my brain, and love through my heart. But who am I? Who is the witness, enjoyer and sufferer that activates my body?
We are open to the world; the world is at our doorstep. It washes in, not just through the windows, but we are immersed in it completely - through the Internet, through the media, through people traveling, coming here, as well as Singaporeans going abroad.
Through love the devil becomes an angel. Through love stones become soft as butter. Through love grief is like delight. Through love demons become the servants of God.
After you free yourself from the incredible expectations of love through the media from the time you were so high, you realise that it's the spaces between the notes that make music.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
Years were passing through the spaces between moments.
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