A Quote by Scott Ian
I don't think any of our lyrics have ever been erotic in a sexual term, because I haven't really written, touched on, that subject too often. But, uh... I mean, I suppose they could point the finger at us for violence maybe in certain songs.
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I haven't written too many political lyrics. Nor have I written any pro-Canada lyrics, any kind of jingoistic, nationalistic cant... That stuff doesn't interest me and I don't even know if I could write that if I tried because I don't really feel it.
Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
I don't think there are any songs that I've written in the past that I now disagree. It's kind of like tattoos; I would never regret a tattoo, because it was how I felt at that time in my life. I don't think I've ever said anything that I would take back. So far, so good! I would probably change the music, or change how I sing it, maybe do it a little bit cooler, or a bit more grown-up. But I don't think that there are any lyrics that I regret.
I think because of these big issues of life and death that maybe sex feels like a crass question. But for Christ sake, this is a book that is so interested in an elemental human condition. And one of the ideas about surrender is an erotic surrender, too. These folks are surrendered by destiny; they surrender to each other in certain moments, but there is a lot of erotic surrender.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I don't know that Islam has ever been a subject of anything that I've written. I think Muslims have often been, but those are two very different things.
I think we're definitely playing up to characters. We see ourselves as a pop band. I don't have a pseudonym because I don't really need one, because I've got a weird name, but everyone has a stage name, and it's about a certain amount of escapism, really. The songs are inspired by the personal, but because there are seven of us that work on the songs together, they end up becoming Pipettes songs, rather than about any one individual.
My forte is playing along and singing along to music I love. I mean, who knows, maybe I could develop that knack or develop that ability to write, and I do actually co-write with people and friends, which is fun, too, because then I don't have to worry about writing lyrics, because for me writing lyrics is impossible.
I suppose that a lifetime spent hiding one's erotic truth could have a cumulative renunciatory effect. Sexual shame is in itself a kind of death.
I began to think about the extent to which nude and semi-nude female bodies are commonplace in our present day culture and how young girls might be affected. I wondered if, at some point, this bombardment of images could possibly get boring and that concealing - rather than revealing - would awaken sexual desire. I don't think that will ever be the case, of course, but I was intrigued to write a poem in which dressing was just as erotic as undressing.
I would have touched it like a child But knew my finger could but have touched Cold stone and water. I grew wild, Even accusing heaven because It had set down among its laws: Nothing that we love over-much Is ponderable to our touch.
We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.
It's not a loup cage, you know,' I told her. 'It's a holding cell. Or safe room. or secure room. I don't think Jim ever settled on a term he could live with.' 'Aha. It's a loup cage.' Andrea cleared her throat. 'I touched it with my finger and it hurt. Is that in case of marital problems?
Once we start worrying too often or too deeply about what certain individuals and what certain groups think about us, then we might start selling our souls for the sake of expediency. I suggest if that day ever comes, then the press has had it.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
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