A Quote by Scott Ian

I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet. — © Scott Ian
I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
When it came time to hire a guitar player ... I didn't even have to think about it ... Mike Bloomfield was the best guitar player I'd ever heard.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I think my best advice for young guitar players is that it's not an easy road - definitely not; female guitar player or male guitar player, it's not an easy road at all.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player.
I'm not a 'practicing' musician anymore. I played bass and guitar. I still pick up a guitar around the house every once in awhile.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I am, by nature, a guitar player... I learned all of these other instruments around that, and around the theory that I built learning the guitar.
I lived deep in the country in northern Wisconsin. I didn't have any neighbors or anything, so in the summers, I played guitar for hours and hours every day until I was about 18. I never thought about combining it with drag, 'cause to me, well, drag queens don't play guitar. Now I'm like, 'You idiot, that's an opportunity.'
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.
I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.
The whole reputation of being a rock guitar player, I could really care less about it. Still, when I hear new groups today I do occasionally hear something where I think... ahh, I've heard that lick before.
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