A Quote by Scott Kahn
The art which speaks to a universal audience concerns itself with the 'big' questions of life and death, and delivers its message with unrelenting and powerful emotion.
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The experience of the gangster as an experience of art is universal to Americans. There is almost nothing we understand better or react to more readily or with quicker intelligence. In ways that we do not easily or willingly define, the gangster speaks for us, expressing that part of the American psyche which rejects the qualities and the demands of modern life, which rejects Americanism itself.
Who speaks of art speaks of poetry. There is not art without a poetic aim. There is a species of emotion particular to painting. There is an effect that results from a certain arrangement of colors, of lights, of shadows. It is this that one calls the music of painting
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
If the universal is the essential, then it is the basis of all life and art. Recognizing and uniting with the universal therefore gives us the greatest aesthetic satisfaction, the greatest emotion of beauty.
Whereas life separates meaning from emotion, art unites them. Story is an instrument by which you create such epiphanies at will, the phenomenon known as aesthetic emotion...Life on its own, without art to shape it, leaves you in confusion and chaos, but aesthetic emotion harmonizes what you know with what you feel to give you a heightened awareness and a sureness of your place in reality.
Art is a manifestation of emotion, and emotion speaks a language that all may understand.
I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity: the emotion is contemplated till, by a species of reaction, the tranquillity gradually disappears, and an emotion, kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind.
All death in nature is birth, and at the moment of death appears visibly the rising of life. There is no dying principle in nature, for nature throughout is unmixed life, which, concealed behind the old, begins again and develops itself. Death as well as birth is simply in itself, in order to present itself ever more brightly and more like to itself.
All happenings, great and small, are parables whereby God speaks. The art of life is to get the message. To see all that is offered us at the windows of the soul, and to reach out and receive what is offered, this is the art of living.
Every happening, great and small, is a parable whereby God speaks to us, and the art of life is to get the message.
Music is an emotional experience, and that is what imprints itself on the soul. And I think for me, any great art is art which communicates human emotion.
Death is an unsurpassable limit of human existence... We discover the relationship which is the basis for all feelings of reverence, fear, awe, wonder, sorrow, and deference in the face of something greater and more powerful... Only such a being-unto-death can guarantee the precondition that the Da-sein be able to free itself from its absorption in, its submission and surrender of itself to the things and relationships of everyday living and to return to itself.
Meditation speaks. It speaks in silence. It reveals. It reveals to the aspirant that matter and spirit are one, quantity and quality are one, the immanent and the transcendent are one. It reveals that life can never be the mere existence of seventy or eighty years between birth and death, but is, rather, Eternity itself.
I imagine a future where many of us will call ourselves dancers and collaborate to make an art which concerns itself with primary areas of life... for me, peace is a communal work process, a collective vision. The dance itself tries to exemplify a few of these methods in a truly grounded and practical way so that the people can say: yes, there are prospects of survival.
To me, art's highest purpose is to entertain, to enlighten, to inspire, to evoke emotion and to change an audience in some way, big or small.
I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.
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