A Quote by Scott Kelby

NAPP was created as a resource for people who are serious about Photoshop. NAPP is designed to keep our members on the cutting edge of the latest developments, tips, and tricks used by some of the most accomplished Photoshop professionals.
I find a place I love and want to tell people about it. Same thing with Photoshop tips. When I discover a cool tip, I can't keep it to myself.
Photoshop is useful in many ways but must NEVER be used for the altering of photographs. My assistants and my agency do whatever Photoshop work for me that may be required as it is too complicated for my brain.
I don't think there's a Photoshop professional out there that doesn't owe a significant chunk of their expertise - and a big debt of gratitude - to Bruce Fraser. He almost single-handedly shaped the way we work with color, how we process RAW images in Photoshop, and even how we sharpen our photos.
I feel about Photoshop the way some people feel about abortion. It is appalling and a tragic reflection on the moral decay of our society…unless I need it, in which case, everybody be cool.
I honestly don't like Photoshop. I think when people Photoshop things, all of a sudden you're like, 'That's not even me anymore.' It takes away the natural beauty of a person. I think Gisele [Bundchen] had just said something like there's no more rawness, like the little quirks. You know, I have a gap in my teeth and sometimes people take it away. But I'm like, 'I love my teeth.' You know, that's me.
I was a fashion editor for years in London before I came to 'Vogue,' and I spent my life arranging the folds of a ball gown skirt for a picture and pinning fabric and using all those stylist tricks. And you don't have to do that now because they can do it in Photoshop.
I hate when people say I Photoshop myself.
I believe Photoshop is in some way the contemporary darkroom, the creative area that all photographers have available today.
You name it, we're out there with the latest and the best cutting edge.
The funny thing is, the music that I'm writing now is probably some of the most cutting edge we've ever done. The music that I'm thinking about putting on our next album.
The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.
My first show at MoMA in New York was pictures of new developments along the eastern edge of the Rocky Mountains. They were housing developments that were brutal in many ways, that cared almost not a thing for the human beings inside. They were just designed to make money.
The most I would do was use the shadow tool in Photoshop to bring out the muscular rips in my stomach, which were honestly there. Beneath the fat.
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I find the sneeriness about 'selfie-culture' quite boring - I'm excited by young people taking control of their own images and finding out for themselves how much Photoshop has done for models.
I love retouching images on Photoshop.
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