A Quote by Scott McCallum
I said during the course of the campaign I didn't like it and I don't like the idea of having an opponent's picture on your ads and it would be nice to see candidates sign a pledge like that.
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GOP candidates routinely sign a pledge never, ever to raise taxes. Democratic candidates aren't even asked to sign a parallel pledge never, ever to cut entitlements.
I like the idea of having more of a fun convention during the election campaign, if it's showbiz, if it's entertainment, whatever the case may be. I like that idea, but with every suggestion comes millions of dollars in money. So, the suggestions are great, but there has to be, you know, a pretty big influx of cash to do something like that.
When I revealed the campaign, some lady in the front row, a photographer, asked "is that airbrushed?" So I just lifted my shirt up and my stomach was the exact same thing as in the ads. It was actually kinda nice that she said that, because I'm sure plenty of people probably thought that. That's one of the reasons I did it - especially when you work so hard to get your body to look like that - it's frustrating.
One not-to-be-mentioned major said they would sign me if I worked with a team of songwriters to help me finish songs, ha! Of course, in hindsight, I should've done it just to see what that would have been like.
I don't like having my picture taken and I don't like looking at myself because I don't particularly like what I see.
I don't really like all the attention, because it feels like everything is about winning and they don't see the whole picture of my teammates and without my teammates, I don't think we'd be here right now. I get the attention ... if that day, I'm in the mood of signing autographs and taking pictures and even if I'm not, I'm like, he'll sign it for you, or he'll sign it for you. I can always give all the attention to my teammates because they handle it well.
Producers say things that they would like to see in the movie but they don't see the full picture. In the end if you ignore everything the producers say, of course, you get fired; but then if you listen to a producer on everything then it's like 'Hey - why don't you direct your own movie?'
We all have an idea of what we look like, and then you see a giant picture of yourself and you're like, "Oh my god, wait, that's me?" And it's such a specific version of me, with styling, and art direction... It's like when you hear yourself on a recording, and you go, "That's what I sound like?!" That's how I feel when I see images of me.
I think that's why we see this mixed reaction - Republican congressional leaders like Paul Ryan speaking out very firmly, but Republican candidates not as much, with the exception of the candidates in the single digits like Jeb Bush or Lindsey Graham, who said how to make America great again tell - Donald Trump to go to hell.
I don't like outside group ads. I don't like attack ads. I particularly don't like them now that I'm in the process and they are being used against me.
I trained as an artist originally, so I know what a nice human body looks like, and I would like to look like that notion, and of course I never will. But I've got past that.
I just want to say that um, I'm just really, really shocked at like how nice our world is because it's just so nice. Like oh my God! Like, the other day, like I was sitting there and I saw these magazines and they said I was pregnant, and like, it's so true. Like America, believe everything you read. Because, like, you're smart and I'm stupid. Like for real. Come on y'all.
I don't have more money. I won't have more money than any of the candidates, even the Republican candidates. We know that already. But we are building this campaign team like I would build a business. And that is, we are building it so far with no debt.
Instead of candidates hiring people, like yours truly, to create campaign media that works on both conscious and subconscious levels to sway the voting public, what if all TV ads were, by law, only allowed to feature the candidate, with, say, the American flag as the backdrop, alone, speaking directly to the camera?
When I picture England, I picture little gardens and beautiful yards. I don't really like cities; I like to go and see things like that.
I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.
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