A Quote by Scott McClanahan

So much of our culture is bought and manufactured - not to say great art can't come out of that. Some art is really amazing that is manufactured and sold, like action movies and stuff.
The only thing I collect is art. I collect it because I like looking at it. A lot of it is really personal stuff that my friends have made, paintings that my husband's mother made, and things that I bought. I buy abstract art on eBay, and I buy some outsider art on eBay, or what is called folk art, I buy a lot of. I have a lot of professional art work as well as more stuff my friends' kids make. To have a wall of art to look at, I feel really surrounded by love, because so much of the work is related to my friendships.
People don't buy and sell art based on the personality of the artist. Or there wouldn't be much art bought and sold.
The further our civilization advances upon its present lines so much the cheaper sort of thing does "fame" become, especially of the literary sort. This species of "fame" a waggish acquaintance says can be manufactured to order, and sometimes is so manufactured.
Every time I talk to somebody about Putin, it's like, 'But isn't he vastly popular?' Is that really the most important question? I mean, we can unpack his popularity. I think it's manufactured. I think it's manufactured through totalitarian mechanisms.
In America, people really love movies here and it's part of the culture. Even in Germany, still sometimes, the theater is always bigger than movies. It's more art. Movies are more popcorn. Here, movies are really an art form.
When you bring in multi-brand retail items into the country, you're not just bringing the products, but you're also harming local manufacturers. You must strengthen your manufacturing sector and put it on a level playing field with the world. Any kind of items manufactured globally, like small pens, pencils, notebooks - our manufactured goods need to be on a level playing field. Then let them come. Have a competition.
I loved movies. In particular, I loved movies depicting places and events that obviously you couldn't have gone out and shot. It was obvious you were looking at something that had been manufactured in some way. I was fascinated by that.
I don't really have any great interest in writing for movies. Comics, to me, is a much more promising field. There's still a lot of ground to be broken in comics, whereas movies, to a degree... I don't know. They're a wonderful art form, but they're not my favorite art form. They might not even be in the top five of my favorite art forms.
When people say that L.A. doesn't have a culture, I think it really does: a very old culture, and very specific. There's streets named after entertainers, and statues of entertainers, and it's great. Entertainment is still art, even if it makes billions of dollars. So it's like a city built on entertainment, and art in a way.
I think a lot of times our culture has an attitude toward art and the production of art that separates artists from the rest of us, like making art or music or painting or whatever is some magical thing that you have to be inspired to do, and special people do it.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
Certain product lines are more suited to be manufactured in proximity with the customer, while others are more suitable to be manufactured in India.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
I've seen nerdists make tributes to their obsessions out of Legos that are like works of art. It just goes to show you how pervasive this stuff has become in our culture. It really is an ideology that you can subscribe to now.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
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