A Quote by Scott McClanahan
[He Stopped Loving Her Today] is all about the experience of being alive and the thought process of consciousness, and then you have these polemical essay-type things going on for a couple decades now. Some of these music books are where you're going to see an anecdote of a person behaving without some kind of commentary.
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The fact is that, once you are the person - and Ms.[Hillary] Clinton is the person who injected this type of commentary [bigot] into this race [2016] - once you inject that type of commentary into this race, you can't then sit back and start complaining about it or have some of your handmaidens in the media complain about it.
If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.
The thing I find really special in performance is that there is this slightly mystical thing that takes over when you're responding to a crowd and engaging in people's imaginations collectively in a room. I've always thought that one of the most incredible things about being alive is going to see some kind of performance like that.
Once you were just insentient cells, no more aware of anything than your liver is now. Today you are brimming with consciousness. How did you make the grade? What catapulted you into consciousness? There must be some kind of natural process behind this astonishing leap, but this process is obscure.
One demonstrable effect this type of work can have is in its viral promulgation. Take Kathy Acker for example: her work exists mainly through academic channels. Students are exposed to her novels, and some read her, then, on their own, but some also go to grad school: teach her, write about her, keep her going.
It's like that where these little anecdotes come through, and I guess that's what I like about books like that [He Stopped Loving Her Today]. Fiction now is so experiential.
I try to sing and not worry about what's going to happen after I do. I'd add that in my experience, as a person who went to see singers, some people helped me to make some decisions about the world.
I always thought there was some place I was going, that there was some success or some achievement or some box-office number that was going to fill the hole. And what I realize is that life is a hole. It's a process of continually trying to find and reinvent myself.
I guess I just process death differently than some folks. Realizing you're not going to see that person again is always the most difficult part about it. But that feeling settles, and then you are glad you had that person in your life, and then the happiness and the sadness get all swirled up inside you.
I would love to see Carl Reiner working in the arena today. He did some marvelous things on our show in the early '60s when it was a little edgy. We did shows about blacks, a couple, three of those. Some thought-provoking stuff.
I think there are basically two kinds of musicians: some are extroverted and some are introverted. I think extroverted musicians are more in the entertainer kind of camp, which is just as valid, but you're going to be more apt to make music that is of the moment - whereas if you're coming from a more introverted place, the music is going to end up being more about the past or more personal. It's not going to be about the people in the room, per se.
All I can tell you is I'm going to be myself. I'm not the type of person that is going to develop into some character or come up with some phrase I will always say.
Some things cannot be spoken or discovered until we have been stuck, incapacitated, or blown off course for a while. Plain sailing is pleasant, but you are not going to explore many unknown realms that way. We articulate the truth of a situation by carrying the whole experience in the voice and allowing the process to blossom of its own accord. Out of the cross-grain of experience appears a voice that not only sums up the process we have gone through, but allows the soul to recognize in its timbre, the color, texture, and complicated entanglements of being alive.
I'd always thought, 'When I finish modelling, I'm going to pursue this.' But then it really kind of hit me. I realized, 'Well, no, you can't do it when it's convenient. If I'm going to do it, I've got to do it right now.' (talking about pursuing her career as a singer)
I thought I'd become a funeral director when I wasn't going to be an actor. I thought I would be good at helping some people with the grieving process and with trying to get them to talk about and understand who this person was.
All my life, books have felt alive; some more so than people, or rather, some people. Alive - this has to do with me, I know, and not the books - in a way that some people aren't. Alive as teachers, alive as minds, alive as imaginative triggers.
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