A Quote by Scott McCloud
There's a very big part of me that just wants to take all of comics history and toss it on the bonfire. I'd sort of like to get on to the future.
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Start as a human being in this culture, toss in madness, toss in mystical states, toss in being gay, toss in being HIV-positive, toss in religion that assures you God hates you for all of that - and then look me in the eye and tell me you can feel ok about yourself. I dare you. I just dare you.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
I don't like people that litter. If you don't throw a wrapper in the trashcan and you just toss it out on the ground I wanna take you and toss you into outer space.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
One of the tools I like a lot is the Just Like Me practice. It's one of the empathy practices where we put ourselves in the other's shoes. Rather than get caught up in the difference in the ideologies, we actually come back to the fundamental idea: just like me, this person on the opposite political spectrum wants to be happy, wants to be safe, wants to thrive, wants to be healthy, wants to find peace of mind.
I'm a big people pleaser; I had a very awkward adolescence. Part of me is still that person who wants everyone to like me.
Such a big part of this business is rejection. Each time that you get rejected, a big part of it is just staying positive - even if you don't get the role, it's still giving you practice. I love being able to take direction and talk with the casting directors in the room.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
There's a part of me that wants to look nice and occasionally wants to be snappy, and the other part of me that just wants to wear the same sweater until I die. And I'm in constant conflict between those two sides.
Though to the average person that you'll meet on an airplane, if you tell them you draw comics, they'll still have sort of the same response - not like that's seeped into the culture at large, that comics are not just for kids.
Older recordings just seemed to take me somewhere into my own pre-history. That's always been an interesting, sort of sphinx-like territory for me to wander around in.
I think my friend Tom Hanks knows me. He understands me very well. He’s always had a sort of parental feeling toward me. He knows I’m a big mush ball, which is just part of my personality.
I think my friend Tom Hanks knows me. He understands me very well. He's always had a sort of parental feeling toward me. He knows I'm a big mush ball, which is just part of my personality.
The Smurfs - and they're this way in Peyo's comics as well - do have a rubbery indestructibility about them. They can get bruised & battered. But they then just sort of bounce back very quickly, like those classic cartoon characters Wiley Coyote and Tom & Jerry.
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