A Quote by Scott McGillivray

I love a big steak or seafood dinner, but the next day I'm running outside for miles. While of course listening to music. I have to have the music on. — © Scott McGillivray
I love a big steak or seafood dinner, but the next day I'm running outside for miles. While of course listening to music. I have to have the music on.
You can put the greatest seafood restaurant next to an average steak house in an urban area, and that steak house will do more business than the seafood place. If you go to the water, you can put an average seafood place next to the greatest steak house, and people are going to eat seafood.
When you're listening to music, you listen to it with a friend one day and it sounds one way. You listen to it with another friend the next day, and it sounds a little different. Sometimes the greatest pleasure of listening is not the music that you're listening to; it's the person that you're listening to it with.
I'm a big fan of music. I need to be listening to music most of the time during the day.
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.
I listen to music all the time. I write while listening to music. And I tell myself that the music nourishes the art forms that I do master and domesticate, and have authority over.
I started running, and I hated it. Of course, everyone hates running for the first mile. If you're running two miles or twenty miles, it always hurts. Now I live it. I look forward to it. It's really good. It clears my head.
I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.
One day for dinner I'll have fish, then the next day chicken, and then I'll have steak. I just try to mix it up all the time. I don't eat the same thing every day.
I listen to music every day and that is a fact. My son pointed out the other day that there's not a day that goes by without him listening to music in our house. I'm still an avid punter when it comes to either checking out bands or buying new music.
What connects architecture and music is that neither one is really an object. It's more like an ambience, a surrounding and a context. You can do other things while you're listening to music and of course, you can do other things while you're in the middle of architecture. The notion of multi-attention seems to me like it's the keynote to the beginning of the 21st century.
My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
I've been told the weirdest things: 'Yeah, I love taking a bath to your music!' or 'I gave birth to my daughter while listening to your music.'
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.
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