A Quote by Scott Patterson

Popstars really draws you in. It's fascinating. It's interesting to watch people thrown together in that kind of a situation. Even if the egos weren't involved and they weren't trying to be world famous. It's the Real World, only better.
Why does it have to be politics? Is there a dynamism to that world and a theoretical capacity to do things that draws many talented people? Absolutely. Are there other ways to be involved and lead an interesting life? Of course.
I don't think there are beautiful women out there trying to lure men into any kind of conspiracy. I think people are out there just trying to meet someone new and interesting and live in the real world.
It's good to know that the people of different countries are really concerned and involved in the movement to help Burma. I think in some ways it's better to have the people of the world on your side than the governments of the world, even if governments can be more effective in certain directions.
I think now more than ever there's so much available honesty that you can find on the Internet. You can go on to YouTube and find really, really vulnerable, really verité stuff. It's not even verité, it's real! It's people confessing very private things. In a world with "It Gets Better" videos where people are trying to keep themselves alive and speak out to other people and are really brave and courageous.
Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
'Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
You can make a beautiful, airtight world that's fascinating to look at, but it's not interesting unless you have a character that's trying to achieve something under the circumstances of that world. It's harder to play a wacky girlfriend whose journey you just don't understand.
I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.
Travis Alexander was a good guy. Was he a saint? No. But he was somebody who was really, really invested in helping other people and making this world a better place. Everything he did, even the car he drove, was a sign of him trying to be a force for good in this world.
It's funny how the colors of the real world only seem really real when you watch them on a screen.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
I like to see what happens to people when they're thrown into really crappy situations. I think it's really interesting to watch what decisions they make, how they deal with the feelings they have.
We sit silently and watch the world around us. This has taken us a lifetime to learn...for silence is pure. Silence is holy. It draws people together...this is the great paradox.
I'm not trying to amass people in the streets. I just want them to be more aware. So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself. And so anything from the travel stories I tell, that's what I'm trying to get across.
Our friendship was like our writing in some ways. It was the only thing that was interesting about our otherwise dull lives. We were better off when we were together. Together we were a small society of ambition and high ideals. We were tender and patient and kind. We were not like the world at all.
When I was younger, I remember there was a really famous book, and it was called 'The People Could Fly.' And so this idea of, kind of like, black characters kind of jumping into space and kind of the challenge that they presented to gravity I thought was really interesting.
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