A Quote by Scott Pelley

I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience. — © Scott Pelley
I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
It's impossible to always get across what I'm trying to say, but, if I just stay honest, then I'm not going to look back on any of these interviews and wonder what I was trying to do or be.
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
I always challenge myself. I get out in deep water and I always try to get back. But I get hung up. The audience never knows, but that's when I smile the most, when I show the most ivory.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.
Whenever I'm giving talks, I always ask people to think of the most obscure questions because I enjoy those the most. I always get the same questions: Why does Pickwick say "plock" and will there be a movie? I like the really obscure questions because there's so much in the books. There are tons and tons of references and I like when people get the little ones and ask me about them. It's good for the audience [and also] they realize there's more there.
I made a point of always teaching undergraduates because they are not a captive audience. . . . I always tried out my research ideas first in the classroom to get feedback from people who didn't have to listen to me if I didn't make it interesting.
In my career, I've been lucky to do the bad guys that are more interesting, where the audience wants to spend more time with them and get to know them. That's what I'm always looking for and trying to do.
But everything that I did starting out, every job that I had, I haven't regretted any of them. They've all been informative, interesting in one way or another. With a career, I think there's this idea that you're just trying to get somewhere. It's like, "Oh, okay, let's keep going, because if I do this, I can get this, I get this, this." It wasn't that way. I did what I wanted to do when it was in front of me, and I'm trying to continue to do that.
I get ratings but I don't do interviews for those people anymore. I don't watch CNN anymore. I don't do interviews with CNN anymore because its not worth it. It's very biased against me.
I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.
I went to acting school, and there were twenty other actors in my class who were exceptional. It's hard for anybody to get work. When I was trying to get jobs, I felt a responsibility to be respectful of the opportunities and take challenging things that could be interesting both for me as an actor and for the audience.
None of our men are 'experts.' We have most unfortunately found it necessary to get rid of a man as soon as he thinks himself an expert because no one ever considers himself expert if he really knows his job... Thinking always ahead, thinking always of trying to do more, brings a state of mind in which nothing is impossible.
I'd just love to have an audience and it's the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
Id just love to have an audience and its the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
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