A Quote by Scott Raab
I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it.
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As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
Don't you loathe the word "workaholic"? It has nothing to do with an important thing, that you and your secretary are at the office until 6:30. But that's life, kiddo. 24-hour work doesn't go on in America. 24-hour work is what Italy and Holland did after the war. The lights never went out!
Discipline is the whole key to being successful. We all get 24 hours each day. That's the only fair thing; it's the only thing that's equal. What we do with those 24 hours is up to us.
I'm excited to create more awareness about the importance of giving the youth of America a choice. There's a 24-hour music channel. There's a 24-hour comedy channel. I believe there's a 24-hour gay channel coming. Why isn't there a 24-hour Christian channel that's edgy and hip and cool and new and different, like all that other stuff?
The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
Fame is very agreeable, but the bad thing is that it goes on 24 hours a day.
When I was in my early twenties, parts would be written for women in their fifties, and I would get them. And now I'm in my early thirties, and I'm like, 'Why did that 24-year-old get that part?' I was that 24-year-old once. I can't be upset about it; it's the way things are.
When I play on grass, my body doesn't ache. It can get sore, but it doesn't pulse, and my legs don't ache. When I play on turf, my legs can pulse and ache for up to 24 hours, and it could take 3-5 days to recover, whereas grass, after 24 hours, I'm ready to play again.
The loss of my dad gave me a lot of inspiration because sometimes I stop and think, 'Would everybody have done the same thing that I did?' It was a very tough thing to cope with. I only went home for less than 24 hours.
I began thinking about the idea of a 24 hour concert. What if you tied songs to certain hours of the day - creating a 24 hour world of lyric and melody. So that was the inspiration for this project.
24 hour broadcasts have to stretch limited material to fit 24 hours worth of space.
I am part of a circuit called 24 Hours of LeMons, where it's a sort of riff on 24 Hours of Le Mans. It's a poor man's weekend warrior racer event.
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
I'm a 24-hour tweet machine, I'm a 24-hour blogger. When there's no pressure on me, I can talk and write and lecture with the best of them. But put a deadline on me and I start getting writer's block.
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
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