I feel like I have been putting out a consistent body of work, just waiting for that agent, that executive, that assistant to the bigwig to stumble across it.
I have days where I feel like crap and I look at my body and I'm like, 'I haven't been able to work out as much. I can see my butt drooping a little bit.' And I'm just like, 'Oh well.'
I feel like I'm making a difference. I feel like putting out a message for young girls to follow your dreams and just work at what you want to do and be yourself.
I feel like music is, you know, made to inspire, to heal, and to cope with. So, I hope that when my fans, or even just people who stumble across my music, I hope they get some type of feeling from it.
Although you may not stumble across a Martian in the garden, you might stumble across yourself. The day that happens, you'll probably also scream a little. And that'll be perfectly all right, because it's not every day you realize you're a living planet dweller on a little island in the universe.
I've forgotten more about bad putting than all the lousy putters in the firmament combined. My mind has been twisted into an incurable, disturbing venue of bad speed and inadequate line. I just want to go out and not feel like I'm putting a Rubik's Cube with a flimsy piece of rope.
[Doing music] is time consuming, will drain you, and stress you out at times. But in the end if you love doing it, and you're putting out music you're proud of, it will never feel like work. It'll just feel like love.
I'd been out in Los Angeles for about eight years, knocking around. I actually, instead of waiting tables, worked in offices as a temporary assistant.
After waiting four long years since the Lost CHIC Tapes were recovered, I'm finally putting out our first record. I'm like a child waiting for Christmas morning.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
This is the hardest part for me. Just the waiting - the waiting to fight. The work has all been done, and you just have to wait.
I feel like a lot of comedies out are just the same consistent joke.
I once walked out of a nightclub with my team-mates to see our star midfielder reclining across the bonnet of a Ferrari, arms folded, waiting for girls to come out so he could wink at them and then progress it from there. I have no idea how long he'd been waiting. I do know it wasn't even his Ferrari.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
There were times where I feel like I was just out there thinking too much instead of just playing instinctual football. It's definitely something that I've been trying to work on here, just go out there and let it run.
The way the press works, people don't like to review or talk about EPs. It's considered, 'Why don't you just wait for the record?' But for someone who's creating, and the audience, they can get material quicker. I almost feel like putting out a few songs every couple months might be better than putting out an album every year or two.
I don't get how people want to read books on computers because it must be really bad for your eyes, for starters. I love the smell of books and I just like the whole experience of it. Maybe I'm just old-fashioned, but I like that whole experience - it's the same as I like putting on a record or a CD and waiting for it to arrive or buying it and waiting to listen to it in full.