A Quote by Scott Rogowsky

I love following my friend Tony Zaret on Instagram. He's a super funny comedian who makes these parodies of memes, and Instagram skits. — © Scott Rogowsky
I love following my friend Tony Zaret on Instagram. He's a super funny comedian who makes these parodies of memes, and Instagram skits.
YouTube is the vlogs and my life, then Instagram is comedy skits and pictures that I take. Twitter's text, and Instagram Stories is even more behind-the-scenes vlog stuff. I'm always posting.
As for Instagram, I follow about 100 people, but I am not interested in what a designer is doing or what a friend of a friend is doing. I upload my photos on Instagram.
I was looking at my Instagram, and someone said to me, 'Who manages your Instagram?' I would never let anyone manage my Instagram! I enjoy it.
I know so many kids who literally are, like, Instagram-famous. They have done nothing but post pictures on Instagram. And they have followings. People love to see them in person, but it's only because they post on their Instagram. It's literally crazy.
I love Instagram - I don't actually go on Twitter and tweet; I just connect it through my Instagram account. I think it's a good way of getting stuff out there and connecting with people.
One of my favourites on Instagram is @dublin_zoetrope. He does these musical theatre/Meryl Streep/Glenn Close memes that are truly hysterical. He'll take a regular photo of them and create an entire storyline, and it makes me cackle out loud.
I know so many kids who literally are, like, Instagram-famous. They have done nothing but post pictures on Instagram. And they have followings. People love to see them in person, but it's only because they post on their Instagram. It's literally crazy. Kids will paint a picture of themselves that is so far beyond who they actually are. It's like they're wearing someone else's skin.
Instagram - it's fun, but Facebook, no, just here and there. I use Instagram as a kick, like when somebody tells me to check out so-and-so's Instagram account to check out their French toast or a trip to Tanzania. But I don't have an account.
I'm just being me on Instagram, and that's what I love about it. It's definitely personal, and it's, like, no one in my team would ever get my password for my Instagram. Like, that's a no-no.
For me, growing up at a young age in the limelight and on social media, I joined Twitter when I was 10 and I got my Instagram when I was 11, so when I joined Instagram, I did notice a lot of hate comments or people would just, like, nitpick at my appearance, just to be funny.
Mustard saw my Instagram probably, like, August of 2015. He just reached out to me by DM on Instagram.
I never had to do anything specific to craft my 'image.' I wanted people to know that I was a goofball, that I didn't take myself too seriously, and that I love what I do. On my Twitter and Instagram, whenever I can, I try and show myself. I'm not trying to be an Instagram model.
I don't think life is this Instagram fairytale everyone makes it out to be. Life is super heavy.
My Instagram has personal things, like pictures of my home, but generally it's my voice, and that's a public thing. Using my Instagram posts in my art is not about taking my personal Instagram and making it public; it's about understanding and challenging the notion of these free platforms that encourage self-promotion and understanding what they are technically and culturally.
I feel like if you flip through my Instagram, you'll kind of see the same angles and poses every time. That's the trick to having people love your Instagram selfies. It's all about your angles.
I'm always on Instagram! I'm like an Instagram stalker.
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