A Quote by Scott Rudin

Let's give a big cuddly shout-out to Pat Healy, infant provocateur and amateur journalist at The New York Times. Keep it up, Pat - one day perhaps you'll learn something about how Broadway works, and maybe even understand it.
During one of his uncannily well-timed impromptu visits to my restaurant, Union Square Cafe, Pat Cetta taught me how to manage people. Pat was the owner of a storied New York City steakhouse called Sparks, and by that time, he was an old pro at running a fine restaurant.
Coach [Pat] Riley's record speaks for itself. What makes him so special is he is a coach clearly concerned about winning. His whole thinking when he wakes up every day is how can I make this team [ New York Knicks] more focused and going through 82 games during the regular season and the playoffs.
The people wanted to believe that the Negroes couldn't learn to read music but had a natural talent for it. So we never played with no music. I'd get all the latest Broadway music from the publisher, and we'd learn the tunes and rehearse them until we had them all down pat- never made no mistakes. All the high-tone, big-time folks would say, isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?
I've learned that whenever I decide something with an open heart, I usually make the right decision. I've learned that even when I have pains, I don't have to be one. I've learned that every day you should reach out and touch someone. People love a warm hug, or just a friendly pat on the back. I've learned that I still have a lot to learn.
I started out doing musical theater specifically - I thought I would eventually move to New York and audition for stuff, and maybe wind up on Broadway or something. Well, that didn't happen.
I grew up watching MTV, when Journey was huge, when Pat Benatar had 'Love Is a Battlefield,' and my friends and I used to cut school to watch this woman in the video. We loved Pat Benatar.
If you don't understand how something works, never mind: just give up and say God did it. You don't know how the nerve impulse works? Good! You don't understand how memories are laid down in the brain? Excellent! Is photosynthesis a bafflingly complex process? Wonderful! Please don't go to work on the problem, just give up, and appeal to God.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
The New York Times Bestseller 'The Amateur,' written by Ed Klein, former editor of the 'New York Times Magazine,' is one of the best books I've read.
I once showed Pat Bradley my swing and said, 'What do I do next?' Pat replied, 'Wait till the pain dies down.'
I loved being on Broadway, but performing has become exhausting, and I just don't want to live in New York anymore. I'm just sick of the competition in New York, the feeling that I always have to rehearse to keep up my performance. I don't feel like rehearsing, even though it should be my favorite thing in the world to do.
I admire Pat Shortt as a businessman. Such acumen is unusual for an entertainer. He did all his own deals. I learnt a lot from Pat when I was on the road with him for a year.
When you think about me talking to Rick Santorum or Pat Buchanan or one of these old guys, part of what makes that a joyful experience for me is that in my head I'm thinking, He has to talk to me. Like, poor Pat Buchanan, all the things you've done and you end up having to talk to me.
I met Pat Militich when I was a junior in high school when I was 16 and just started training and went from there. I went to the same high school that Pat had attended and he would bring some of his fighters out to wrestling practice to work out and I got to know him that way. I immediately like it.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
This site uses cookies to ensure you get the best experience. More info...
Got it!