A Quote by Scott Speedman
I didn't grow up jumping in front of the class and performing, but I definitely had a hunger to be creative.
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I always liked performing. I always liked being in front of people. That's one of the things I loved about law; we had mock trials, and I got to go up and state my case. But I took an acting class, and after my first class, I was hooked.
In third grade, my teacher asked me to read in front of the class. I was so touched because that really was the first acting I had ever done, just reading in front of the class. And I was so amazed with the fulfillment I got from being in front of people.
You grow up skinny in Canada; in working-class Montreal, you're definitely the underdog.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I was performing in front of mirrors forever. Just jumping around my room at, like, three in the morning when everybody else was sleeping. So when it came time, I was so ready.
I was the class clown, but I was a reluctant class clown because I was always and still am somewhat embarrassed by performing. I have terrible stage fright, and I don't like being in front of people.
By the end of the semester [in the high school] I was the only one up in front of the class everyday. Actually I could have passed the class four times over because every time you got in front of the class you got extra credit.That was the only class I got an A in and it was the funniest report card because it read Speech - A but everything else was just D, D, D, D.
I was the class clown so I was used to performing and fooling around in front of my friends.
I decided to always sing in the back with the chorus and never went up front because I had trouble performing.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
I definitely suffered from stage fright. I had to work really hard to come out of my shell. When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious.
Both the revolutionary and the creative individual are perpetual juveniles. The revolutionary does not grow up because he cannot grow, while the creative individual cannot grow up because he keeps growing.
Hunger in the midnight, hunger at the stroke of noon
Hunger in the banquet, hunger in the bride and groom
Hunger on the TV, hunger on the printed page
And there's a God-sized hunger underneath the questions of the age
I used to love jumping into the bushes in my back garden, thinking I was jumping into the crowd after I scored in front of the Holte End.
I've just always been terrified of having to speak in front of people. When I used to go in school and then I had to do a report in front of the class and speak, I would freeze up, sometimes I would even like tear up almost and start crying and stuff... couldn't deal.
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