A Quote by Scott Spencer
Where I live, it's better to write in the morning because the night is really, really, really dark, and I do believe you'd go mad if you weren't asleep for most of it.
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I learned that the search for God is a Dark Night, that Faith is a Dark Night. And that’s hardly a surprise really, because for us each day is a dark night. None of us knows what might happen even the next minute, and yet still we go forward. Because we trust. Because we have Faith.
I often write either really early in the morning, or really late at night.
L.A. is a strange town at night. Everyone in L.A. goes to sleep really early, because they have to get up to exercise or call the East Coast in the morning or whatever, so what happens there at night is really mysterious.
I have a really different touring life to most comedians because I go home every night to do the school run in the morning. So I'm not in hotels or living it up.
I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.
I was really surprised at the success of 'House of Sand and Fog,' because it is so awfully dark. Believe it or not, when writing it, I never had the word 'tragedy' in my head - I wasn't trying to write a dark book at all.
I mean, when I was young I could write all through the night and I loved to work late into the night. Now that I'm older I work really well in the early morning when your synapses are firing a little better. But I work at different times of the day.
I really believe that we have to work hard to make online education better and better, and eventually it's going to be really great. But like most of these things, it takes time to improve, to understand and to make things really good.
People do things on Instagram and put on a front and try to live a life that they may not really want to live, or don't truly believe in. And that's the life that they portray. That's not the real them. We all have to be more aware of what is that's really happening inside. Are we really standing for what we believe in?
I do keep up at night. I try not to let my mind go to extremes in the middle of the night because it would be better to turn all that stuff into dreams; it would be better if I was sleeping, because dreams become good metaphors for what's really going on inside of you.
My mornings are really about being with my children, so I tend to lay out my outfit the night before when my children are asleep so I can have a quick turnaround time in the morning.
Every day when you wake up, ask yourself, 'What do I really, really, really want? ' You have to say really, really, really, otherwise you won't believe it.
I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.
It's easiest to write songs when I'm either really in love or really mad at a guy. It's just always best when I'm feeling superemotional.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
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