A Quote by Scott Storch
People just want the hottest records. It's not really about all the names attached to the project. It's about the work.
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I don't release many records just as "Fennesz," so when I do, I want to plan everything in detail. It's not that I want to really lead the listener somewhere; it's more about me being satisfied with a project.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.
I was at a dinner party with a group of people, and we were talking about fake names. You know, how its difficult to come up with a really great fake name. Its a very specific type of gift. You don't want to go too far into the silly, and you don't want to go too far into the banal. I always thought one of the funniest names ever was Gern Blanston, which came from a Steve Martin routine on one of his early records.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
All records are riddles, and whatever you may want people to think it's about, it may just be throwing them off. And you don't want it to get in the way of what someone else's understanding is. It's not really about anything. At the same time, it will find some meaning.
We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
When I get really passionate about something, the audition process is really strenuous and hard on me because I feel so much for the project, and I become so attached to it. It's hard. It's stressful because you want it so badly, and you're crafting this character that you're falling in love with.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
But now I really don't want to work unless I really, really care about a project.
When we consider a project, we really study it-not just the surface idea, but everything about it. And when we go into that new project, we believe in it all the way. We have confidence in our ability to do it right. And we work hard to do the best possible job.
The main problem is just that people think that other people care about them way more than they do. Anything that you do, that requires anyone to do an ounce of work that's about you, is a mistake. Because unless you are Brad Pitt, Angelina Jolie, or David Letterman, or just a really, really giant celebrity, or you're maybe at the center of a media storm where everyone is trying to get in touch with you, people don't want to have to do any work to remember who you are, what you're selling, or what your website is.
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
I don't really understand it even now, It does have an angle which is attached to something quite primal in girls. I guess people want it to define them, like 'I'm a Twilight fan.' That's crazy to me. I think people really just like being part of a crowd. There's something just tremendously exciting about hyping yourself up to that level.
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